A Quote by Melissa Mathison
I avoid listening to too many people's comments about my script. I have learned to take in what is of use. It's too frustrating looking at somebody's notes who didn't get what you were doing. If somebody says, 'This stinks, and here are all the reasons,' that's not going to help you.
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I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
Part of what's unique about climate change, though, is the nature of some of the opposition to action. It's pretty rare that you'll encounter somebody who says the problem you're trying to solve simply doesn't exist. When President Kennedy set us on a course for the moon, there were a number of people who made a serious case that it wouldn't be worth it; it was going to be too expensive, it was going to be too hard, it would take too long. But nobody ignored the science. I don't remember anybody saying that the moon wasn't there or that it was made of cheese.
The secret is to listen, open your mind, listen to the pros. With the help of the UFC's Performance Institute, too. Listening to my coaches and listening to my body, too. Having discipline. It's not just listening, too, because sometimes people have the knowledge but don't know how to use it. You need to be able to put that to practice.
I'm prepared to try to talk to a very beautiful girl. I learned a fantastic secret, which is that the most beautiful woman in the room is not being spoken to because she's too intimidating. They're not looking for somebody beautiful; they're looking for somebody to amuse them.
Friendship, if somebody holds out his hand toward you, you've got to reach and take it... There are too many people alone, and if you're lucky enough for somebody to want you as a friend, it's an obligation.
I think that a lot of people are going so wrong by analysing music too much and learning from a totally different perspective from the way I learned. I mean, I just learned by listening to people. People I learned from learned by listening to people.
Excuses are the explanations we use for hanging on to behaviors we don't like about ourselves; they are self-defeating behaviors we don't know how to change. InExcuses Begone! I review 18 of the most common excuses people use, such as "I'm too busy, too old, too fat, too scared or it's going to take too long or be too difficult."
If the crowd is too big, it's too much for me. I took my daughter down there, and all I did was spend all of my time worrying that she was going to get lost because you're caught between somebody with a sandwich in their hand and somebody in a costume. It's really crazy.
I worry a lot about what people think. I worry people think I'm not helping them enough, that they don't like my music, that I'm playing a song too fast or talking too fast. I worry my wife isn't happy with our relationship... I'm afraid somebody's going to take my career away from me. That it's going to go away, or I'm going to get fired.
I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
When you have the ability to affect other people and be somebody that somebody wants to emulate, care enough to help somebody else for their benefit, that's what makes you a good teammate, and that's what everybody's looking for.
For me, changing the sound and listening to new music - that's just so fun. Sometimes it works and sometimes it doesn't. You're never going to please everybody. I feel that at the end of the day, I should make what I want to make since somebody is going to hate it and somebody is going to love it too. I can't control that.
I know I have a caption that I'm going to use when somebody tells me something I've never heard before. It's very rarely a thought, a philosophy, when somebody says, 'Oh, I don't like cheese' or 'Oh, I think the government should be overthrown,' because so many people share these thoughts. But what people don't share is stories.
The only thing I say I consciously do is I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
I think when you've been in a band for a really long time, sometimes you don't appreciate what's good about yourself. It's easy to play something and get too focused on some small detail. It's helpful to have somebody around who can say, "No, that was good." Just so you don't get too lost or forget what you do. You need somebody you really trust who has great taste.
Sometimes I get the feeling that there are orgies going on all over new York City, and somebody says, `Let's call Desmond,' and somebody else says, 'Why bother? He's probably home reading the Encyclopedia Britannica.'
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