A Quote by Melissa McCarthy
I want to make each piece of clothing work 15 different ways.
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You want to mix acting styles correctly. People approach the work in different ways. You want to make sure no one wants to kill each other because the approach is different.
Bringing together disparate personalities to form a team is like a jigsaw puzzle. You have to ask yourself: what is the whole picture here? We want to make sure our players all fit together properly and complement each other, so that we don't have a big piece, a little piece, an oblong piece, and a round piece. If personalities work against each other, as a team you'll find yourselves spinning your wheels.
My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth.
I don't feel like my work is impersonal - it is, in many ways, a reflection upon me - but that's ultimately not the point. I'd rather each piece be seen as part of a larger experience, and that each installation be approached as a point of departure. As open as I am trying to keep things in my practice, I want the audience's experience to be as well. That's what keeps things existing.
Just as a blues player can play 20 blues songs in a row but find a way to make each one different, ... I always want to find different ways to do something
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
My approach is simple. It is nothing other than what I am thinking at the time I make each piece of clothing, whether I think it is strong and beautiful. The result is something that other people decide.
I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
If I want to make a product that is appealing to consumers, like a piece of clothing or a video game, that's fad driven. Some companies do it, and I don't know how they do it, but it's generally a bad place to invest.
I'm only ambitious in the sense that I want to work in as many different media as I can and to play characters which are different to me and to each other. I want to do work that frightens me or challenges me, be it in Dublin or Zimbabwe. I just want to be working.
I like the relationship between the master and the student. Each piece has new problems, and each is different. They're all an indentured servitude. There's that subjugation that you have to put yourself under. It's a give and take. There is work involved, and during that time, the greatest things are revealed.
Each piece that I put in the street is unique. I never make the same piece twice. For Hong Kong, like for every city where I have worked, I try to adapt my work to the culture and the 'colors' of the city.
Many spiritual people are involved in a radical denial of what is happening. They want to transcend it, get rid of it, get out of it, get away from it. There's nothing wrong with that feeling, but the approach doesn't work because it's escapism in spiritual clothing. It's wearing spiritual clothing and spiritual concepts, but it is really no different than a drunk in the gutter who doesn't want to feel the pain anymore. When you abide and accept everything completely and fully, you automatically go beyond.
I don't have a particular genre that I want to stick to; if you work on a small piece, you take that experience with you when you work on a big piece and vice versa. You will take those experiences with you and they will make the next one richer.
You can be more creative in acting by bringing your character to life and bringing a piece of you that wasn't there before. You could have five different actors play one role, and all five of them would be so different because each person brings a different piece of them into it.
I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments.
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