A Quote by Melissa McCarthy
I'd rather watch a character be good at something and be challenged - there's more to play in that.
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You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
If I'm not like my characters, I think just it's like a musician liking to play certain pieces of music rather than others. I just have more satisfaction when playing complicated things rather than some of your more straightforward, simple moments. . . . I like to be challenged.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
You hear a few people saying that, you know, maybe some of the past male players like to watch me play or whatever else, just because I play a bit differently and maybe they can relate to it a bit more with a bigger forehand rather than a backhand, good serve and whatnot.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
On an off-day I'd rather not watch SportsCenter or basketball. I'd rather go longboard, jet ski, do something extreme-sport-wise, watch racin'.
'Oppam' is more of a director's movie, especially because I play a visually-challenged hero in it. The character doesn't have a perspective, and so cameras aren't placed like how they are usually done in other movies. The angles and the way the scenes are captured are different.
I want to continue to be challenged and feel a sense of fulfilment, like I have over the years at 'Emmerdale.' I've got aspirations to do other genres and I'm really keen to play a different character, whether it's in comedy or action, and just do something that's completely different.
Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.
The characters get challenged. Through getting challenged, the character arrives at insights or discovers potentials that he or she didn't know they had.
I watch a movie or a T.V. show or whatever; if it's good, I like to watch it more than once, and it's always fun to catch something you didn't see initially.
It's more fun to play a good character with a good director and good actors around you. That's what makes it fun, and the more variety, the better.
I would like to do any way possible that Howard Stark can make a return. He's such a fun character to play, and I really believe that he could make quite an exciting character to watch more of. The flawed entrepreneur, the kind of crazy playboy, from that era is an exciting concept.
I'd rather have a small part in a good film with good people than play the lead in something I don't really care for.
Normally, people would spend thousands to watch a trashy film in a multiplex, but not shell out a few bucks to watch a play. But in bigger cities, we are more likely to find a bigger section of people who would want to watch a play.
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