A Quote by Melissa McCarthy

More eccentric characters can push pretty far, but if you stay on the side of reality, it's always funnier. — © Melissa McCarthy
More eccentric characters can push pretty far, but if you stay on the side of reality, it's always funnier.
You can't just play crazy. It makes you push yourself to stay in the realm of reality. And when you do that, it's a lot funnier. That's my favorite, when you think it's a real strange person and not just someone being wacky.
I think comedy in the last 5-7 years is as good as it's ever been in America. I like it when people push it. You go through periods where people did not push the envelope. The more you push it, the funnier you get.
Everything is funnier in retrospect, funnier and prettier and cooler. You can laugh at anything from far enough away.
I think in political life you can only know your position and stay in place, even though people always try to push you to one side.
My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can't imagine how often I've tried to push away this Anne, which is only half of what is known as Anne - to beat her down, hide her.
I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challenge.
The poem is always the last resort. In it the poet makes a world in little, and finds peace, even though, under complete focused emotion, the evocation be far more bitter than reality, or far more lovely.
The more real it is, the funnier it is. The more awkward it is, the more people are stumbly, the funnier it is. I like a sharp joke, but it has to say something that someone would actually say.
He insists on a version of you that is funnier, stranger, more eccentric and prfound thatn you suspect yourself to be--capable of doing more good and more harm in the world than you've ever imagined--it is all but impossible not to believe, at least in his presence and a while after you've left him, that he alone sees through your essence, weighs your true qualities . . . and appreciates you more fully than anyone else ever has.
Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie.
I've always enjoyed watching characters that aren't aware that they're doing anything funny. And I think that inherently makes them funnier.
I always liked characters that were more grounded in reality.
Seriously, I do not know what to say of this book [ Absalom, Absalom!] except that it seem to point to the final blowup of what was once a remarkable, if minor, talent… this is a penny dreadful tricked up in fancy language and given a specious depth by the expert manipulation of a series of eccentric technical tricks. The characters have no magnitude and no meaning because they have no more reality than a mince-pie nightmare.
We always want more, more, more. You see good work; you want it better. We push, push, push.
How far can you push a rope? Not very far. That's why true influencers don't push.
I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challenge. But, you want to take up that challenge and try your best.
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