A Quote by Melissa McCarthy

I love a house project. — © Melissa McCarthy
I love a house project.
I love watching reality shows - I'm up to date with 'America's Next Top Model' and I love 'Project Runway.' But the shows where they're just sitting in a house aren't as fun to me!
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
For us, #BlackLivesMatter is really a re-humanization project. It's a way for us to love each other again, to love ourselves, and to project that love into the world so that we can transform it.
Architects love to rethink a project - that's what we do. If something is successful, like a house or a kettle, in this case, it's a great compliment when someone wants another one.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
I have a lot of alter-egos: I would love to be a back-up singer for someone someday. I have an electronic side-project. I have a '90s grunge side project; I have a piano project... I have this industrial, goth-electronic song, super creepy sounding, just really dark and dreary.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
I sample a little bit of everything - a bit of 'House,' a little bit of 'Prison Break.' I love 'Project Runway;' it's my favorite show!
If you sweep a house, and tend its fires and fill its stove, and there is love in you all the years you are doing this, then you and that house are married, that house is yours.
I never willfully want to write the same record twice, which is probably why I jump from project to project. But I can't ignore that there are things that inspire me, and I love celebrating those.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
For me, I actually come from an electronic dance music background: house music, electro house, trance music, even. When I was coming out of school, basically, I discovered Brain Fever, Flying Lotus, J Dilla and all that. That was when I got excited about hip-hop and when the Flume project started.
My first architectural project I did, I must have been fifteen, was for neighbors across the street, a couple of school teachers, and I designed a house for them. I didn't know anything about Le Corbusier or anything like that, but it ended up being a very cubistic kind of house. I always wanted to be an architect.
It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house ; Hill House would stay as it was until it was destroyed.
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