A Quote by Melissa Ordway
I did an episode of 'Entourage.' I played Morgan - I think it was season three or season four. It was actually my third audition, and it was my first big job.
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We have a 25-year head start for the stories of 'Scorpion.' By the time we get to Season Two and Three, the stuff that happened because of Season One will actually fuel Season Three. So it'll become a self-sustainable show.
It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.
TV now, you have to plan it: you structure it for binge watching, meaning you structure the whole season like a three-act play. You have a first act - the first third of the season - second act is the middle third, and you structure it like that.
I think that episode in the third season was great. I'm really glad that we did that. He got to sleep with Sydney and kill Evil Francie and go on a mission and pretend he's a rock star.
I don't understand what's happening in 'Mr. Robot' all the time, and I'm really actually intimated for the second season. I'll have to rewatch the first season, I think.
For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
When you have this long of a run [in The Big Bang Theory], you don't have to have something happen every episode. Like, Sheldon lost his virginity last season and in the first season he didn't even like girls. So I feel like you can earn that stuff. And that is really fun, because you get to find new layers. It's a testament to the writing.
That, we encourage, and I think we're doing a pretty good job with the website and also the DVD, like the first season came out and the second season's being prepared now.
I didn't get paid to write professionally until my first episode of 'Kyle XY,' which was the fourth episode of the first season.
I like the triangle. My first season, the whole first season, we played nothing but the triangle, so I know it pretty well.
Pretty much every show that comes on, I'll try to watch at least one episode of it. For me, there are three different levels. I watch the first episode, and if I love it, I'm lockin' it in for the rest of the season. If I'm not too sure about it, I will maybe tune in the next week. It it's just terrible, then I'm done.
Of course my goal at Duke was to win the national championship, but we were shorthanded, and lost one of our big guys that was very important to the team. By the end of the season we only played about six guys. But we tried our hardest and did our best and overall had a successful season.
Season number seven! It's been so exciting for us. When we first began, we were like the little train that could... and we did! We're terribly excited! It will be an interesting season for us, I think.
Everything with Marvel is on a need-to-know basis, so I didn't officially know until the second episode I did, which I think was the 10th episode in the season. Information is carefully guarded over there. I definitely didn't know that I was 'Deathlok.'
In the shows I've done serialized storytelling with, there are big open questions, but you like every episode to be identifiable as what it is. It's also very important that each season is identifiable. There's usually some big thing that you're trying to wrap up. There are big bows that you're trying to tie, by the end of the season, that you would do anyway because it's just good storytelling to tie those things up.
At the beginning of the first season, you don't have that pressure to perform at 100 per cent, because it's always hard when you first start. But now, in the second season, people are expecting big things from you, so you can't really disappoint them.
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