A Quote by Melissa Ordway

I wrote a lot of plays when I was little, and I made everyone in the neighborhood perform them with me. I was probably a really annoying friend to have when I was little. — © Melissa Ordway
I wrote a lot of plays when I was little, and I made everyone in the neighborhood perform them with me. I was probably a really annoying friend to have when I was little.
In Australia, I wrote lots of little plays and put them on, and then I worked on a few different TV shows, like the Australian equivalent of 'SNL.' I would write and perform all of my characters.
Everyone at school knew who my dad was. It made me a little self-conscious a little introverted because I had a lot of attention drawn towards me, but in a way I guess it gives you a little bit of a celebrity skin, even though I wasn't a celebrity.
I would write scripts and little plays and perform them in the living room for my family when I was little with my brother until my mom said, 'Alright, you need to go do it somewhere else other than the house.'
There's a lot of annoying things about me. I don't know, I'm really shy at first, and I don't really like it. I wish I was a little more outgoing.
I wrote poetry, journals, and, especially, plays for the neighborhood kids to perform. I had an ordinary, happy childhood. Nothing much was going on, but I had fun.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
Until today, it really pissed me off that I'd become this totally centered Zen Master and nobody had noticed. Still, I'm doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone's hostile little FACE.
I was one of those probably annoying little kids who was always putting on plays with my family.
All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.
I'm a little quick - I can run a little bit - but I know I can't make a lot happen. So my thinking always was, 'Why don't you put it in the fast guys' hands and let them make plays.'
Well, when I was a little girl we had 17 cats once. They all lived outside, and they kept having more kittens. My mom made us put little ribbons around each kitten's neck, put them in a wagon, and go door-to-door around the neighborhood to try to give them away.
A little person in a little place can use a little thing, perform a little task, and receive a great reward.
As a teenager, I read a lot of H.P. Lovecraft, so I wrote like H.P. Lovecraft. And in my 20s, I read a lot of Ross Macdonald and Raymond Chandler, so I wrote like those guys. But, little by little, you develop your own style.
With acting, if a friend asked me to be in a movie or TV show, there's a lot of things on my résumé I did without reading them or knowing what they were. I just said I'd do that because a friend wrote it, directed, produced, acted in it. With directing, I'm sticking to my guns, not that a lot of people are begging me to direct.
My neighborhood was normal. I had a neighborhood where everyone knew everyone. Typical American upbringing. Sometimes we got into trouble, but everyone watched after each other, so if my parents didn't see me making trouble, another family would tell them.
I remember as a sixth grader, my best friend and I had a big crush on our teacher. She was super cute. So we made little plays, and one of us would play our teacher, and one of us would play everyone else.
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