A Quote by Melissa Rosenberg
Because I work in television, I always knew that I loved working with writers. It's very collaborative. You're always in a room full of writers.
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In Yale they convinced me I had no talent, even though I was always working. They cast me mostly as prostitutes and old women, and I stayed because I loved the writers. I loved Chris Durang and Wendy Wasserstein. I was always doing their work in the Yale Cabaret.
I don't think that I would go into the writers' room because they work really hard and I feel like I'm already working really hard to shoot my part of the show. Also, I haven't written in a writers' room before, it's kinda intimidating to walk in there.
In television writing, even if you're running the writers room, it's a writers room.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
We have a full writers' room, and with something like 'MyMusic,' we've scripted it out with professional writers. There is some very basic improv from the actors, but everything is very to the letter, so it's easy to edit down to an episode. There are fun little things an actor might throw in there.
Writers, at least writers of fiction, are always full of anxiety and worry.
Lots of shows are written completely in the writer's room. And I wouldn't say 'The Walking Dead' is that way. There are three levels to it. There's us in the room. The writers going off by themselves. And me working with the writers on a finished script.
I really like writing television, and I like the collaborative writers room feeling. It's ten people, and you're together every day laughing your heads off.
I always wanted to create a site that was sports and pop culture. '30 for 30' had a big impact because I loved how that was about finding, empowering and working with these incredible directors, and I thought the same thing could work for writers.
I always wanted to create a site that was sports and pop culture. 30 for 30 had a big impact because I loved how that was about finding, empowering and working with these incredible directors, and I thought the same thing could work for writers.
Writers, because they write, are condemned never to be readers of their own stories...The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
I'm consistently blown away by 'Mad Men.' Having spent so much time in the writers' room, I'm cursed in that anytime I watch something, I'm always calculating what the writers are up to.
It's a tough time for screenwriters right now, because fewer movies are getting made. I'm enjoying television so much. It offers opportunities for writers to be in a writers' room and work their way up. It's somewhat easier because there's more of a community. There are so many screenwriters with incredible stories to tell, so I hope there will be some kind of shift in the business where very few types of movies are now made by the studios. There needs to be different budgets for different audiences; not everything having to be a huge opening weekend.
A lot of what you're seeing these characters go through is something that either is a story one of the actors told in the writers' room or one of the writers themselves told in the writers' room.
My dad would go to work every day and write in a room full of funny people. He enjoyed it. I know great writers who find the process agonising but to me, writing has always been sheer joy.
Television has always been an appealing medium for writers to work in.
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