A Quote by Melita Norwood
Somebody said that my work might be an interesting source of material.
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I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
I like what I do, and a lot of these projects have really interesting material and interesting people to work with. I feel lucky.
The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing, and put it into a story.
Social media might one day offer a dazzling, and even overwhelming, array of source material for historians.
Once I start writing about something, it goes off rather fast, and sometimes details which might be interesting such as what the room looked like or what somebody said that was not exactly on the same subject tend to get lost.
For me, the source material can come from anywhere. It can be a poem, it can be a dream, it can be a movie, as long as the end part of it is interesting - that's what it's about for me.
I'm pretty confident the why works now. When it first began, somebody said to me: "Will this work in big business?" I said, "I don't know. Let's try." Somebody said will this work in entrepreneurs, relationships or government and military. I said, "I don't know. Let's try." I kept applying the scientific method. I had a theory. I kept applying that theory, looking for opportunities to fail and it kept working.
Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down.
You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.
Earth is the material with the most potential because it is the original source material.
I tend to be conversational and loose with dialogue in general, not out of disrespect for the source material but because that's the way I work.
I really believe what people have said before, that God is love. For me, it's music. For you, it might be writing, or for somebody else, it might be soccer or whatever.
I was thinking of doing some exhibitions where I combine tennis and music. I might have a show at, say, the Staples Center, where I might play an exhibition against somebody who would be interesting, then take a break and go do a show.
I remember my father, when I said I was going down to Little Rock to work for Governor Clinton's run for president, he thought maybe somebody needed to check the medication cabinet. He thought somebody was playing around with it. He had never heard of him, he said. I said, 'Well, I think he's going to be the next President of the United States.'
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