A Quote by Melvin Van Peebles
I was a trader for a company. That's different from the brokers who we sort of disdain as sort of just errand boys.
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And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space.
I'd sort of gone through some sort of spiritual change in the late 70s where I sort of saw there was some other life to live. It changed the way that I worked just having a different presence and a different tension.
I believe in spiritualism. It's like, when you listen to music or something and then you're sort of primed. If you're an artist, you're sort of primed and inspired, and you start drawing, you sort of have the spirit of what you're listening to, still in you. You just have sort of an inspiration.
'Sort of' is such a harmless thing to say... sort of. It's just a filler. Sort of... it doesn't really mean anything. But after certain things, sort of means everything. Like... after "I love you"... or "You're going to live."
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.
I was really intrigued by how - sort of the common themes and sort of the blend among music, and that was sort of my real interest was, at one point, musically, was how you could weave those different kinds of songs and traditions together.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I'm not a free trader, but I am a free trader, but I'm also a fare trader and a smart trader. I want to make sure that the United States gains something. So I think you would probably agree.
I did have quite a different upbringing to a lot of my peers. We all have a sort of code that we get, especially as Beatles kids. It's an unspoken sort of word of understanding. But I'm comfortable around a lot of different types of people.
Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.
I grew up in a church-going family, a very sort of ordinary, middle-of-the-road Anglican family where nobody really talked about personal Christian experience. It was just sort of assumed like an awful lot of things in the 1950's were just sort of taken for granted.
When me and my sister were growing up, we just had very different personalities. I was sort of analytical and took myself too seriously, and she was sort of goofy and nuts and full of love - too much love, she had a crush on a different guy every week.
The term 'overachiever' sort of makes it look like the person has mediocre talent and he just works so hard that he achieves beyond what you would think. 'Overachiever' is sort of a - it's sort of an incorrect term. An overachiever is someone that's just willing to pay the price to get so much more out of his performance.
Boys are different from girls, but boys are also different from other boys, just as girls are different from other girls. Calling a book “for boys” or “for girls” is well-meaning, but to me, not terribly helpful.
Boys are different from girls, but boys are also different from other boys, just as girls are different from other girls. Calling a book 'for boys' or 'for girls' is well-meaning, but to me, not terribly helpful.
With some actors, you can tell, just from their different backgrounds and their different approaches to working, they would have just a natural conflict, just a sort of friction.
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