A Quote by Melvin Van Peebles

The studios didn't really take independent films seriously, till 'Sweetback' was such a financial success. — © Melvin Van Peebles
The studios didn't really take independent films seriously, till 'Sweetback' was such a financial success.
When we talk about 'Sweetback,' yes, it stars the whole black movement, but it's also the first time an independent film made that kind of money and was that successful and taken seriously.
Activision is structured with independent studios and they give their independent studios quite a bit of autonomy.
I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
'Milk' had to be a financial success, following the success of 'Brokeback Mountain.' It had to make money so studios would develop other LGBT projects.
I just don't think I'm special because I'm an actor and I never would. Of course I take what I do seriously because I love doing it, and I love being in films and making films, but I don't take myself seriously.
Independent films have a very different cachet than success films.
To be honored by success is to take your life seriously. To humble-talk about it is to take yourself seriously.
I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
I've been fortunate enough to experience financial success on a large scale through both my music career and my many business ventures. With this type of financial success comes financial responsibility.
In 10 months, I was replaced from three films. That's when I realised I need to take my work seriously. It's a blessing I didn't get things easy. If I had, I wouldn't realise the value of success.
What happened when 'Sweetback' made all that money, the studios were in a very difficult position. They wanted the money, but they didn't the message. This marked the advent of the caricatures which became known as blaxploitation.
To me the early childhood story is an ecumenical one. You take poverty seriously. You take seriously maternal depression. You take seriously children under stress and you take seriously the effects of extended hours participation in poor quality care. Those are the facts I begin with.
I want to act in films and use all my financial resources to fund independent music.
The studios aren't lining up to make films about black protagonists, black people being autonomous and independent.
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