A Quote by Melvin Van Peebles
When I got to Paris, they welcomed me and showed my films. It was August of 1960, and I didn't have a penny in my pocket. But they had done something very dangerous: They had given me encouragement.
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The time I spent working in the wild west show in Paris had a pretty big impact on me. A friend of mine had hooked me up with the gig over there and I literally left Texas with a hundred dollar bill in my pocket and one way plane ticket to Paris.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
The band that changed my life was The Who. It's hard to pick just one album, but if I had to pick the one that really showed me how things could be done, it's 'The Who Sell Out.' They really went to town on that, doing something that no one had ever done before.
They showed this one beautiful picture of me recently and they had all the things that I had done. I thought it was a great compliment for everybody to think I've had plastic surgery.
I wasn't attractive, I wasn't very verbal, I wasn't very smart in school. I wasn't anything that showed the world I was something special, but I had this tremendous hope all the time. I had this tremendous spirit that kept me going... I was a happy child, because I had this feeling that I was going to go beyond my body physical... I just knew it.
When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
You sort of feel when you are given an award, you feel like, well then you have got to do something to deserve having been given the award. It worked differently with me cause I didn't feel that I had done enough.
If he had had all Peru in his pocket, he would certainly have given it to this dancer; but Gringoire had not Peru in his pocket; and besides, America was not yet discovered. (p. 66)
She had given birth to me and nursed me and brought me up. She had known me before I knew myself and now she had no say in the matter. Life started out one thing and then suddenly turned a corner and became something else.
When I left my home to become an actress, my father didn't give me a single penny. I struggled a lot, and they had no idea what I went through. My grandfather even asked me to drop my surname when he learnt I was joining films.
My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
Already he was a very different hobbit from the one that had run out without a pocket-handkerchief from Bag-End long ago. He had not had a pocket-handkerchief for ages.
My parents, Romanian immigrants, struggled to provide me a better life than the ones they had left in their homeland. They worked hard to give me every opportunity in life, and once I showed natural talent as a young gymnast, they spent every last penny on my training.
Yet, I wondered why Marshall did not at least attempt a kiss. In many ways, his treatment of me reminded me of the way I had behaved toward the doll that Mamma Mae had given me as a child. I favored it so that I had refused myself of the joy of playing with it, daring to love it only with my eyes. But in doing so, I had denied myself its very purpose.
My mum had a cousin that had played when he was younger. When I showed an interest in drumming, he showed me how to mummy-daddy roll and that set me up for a bit. And to be honest, it's all about the sound, the noise, the rattle and hum. Who wouldn't want to make a fantastic noise with drums and cymbals?!
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