A Quote by Melvin Van Peebles
I was getting my Ph.D. in Holland - I speak Dutch - for a number of years before I moved to France because I had one of those offers you couldn't turn down. They offered me to come and do my films.
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The fact that refugees traveled through six other countries, like former Yugoslavia, Macedonia, Hungary, Austria, Switzerland, France, Germany, Holland, is because they like our social benefits. They like our welfare state. They know which country to pick. They're not going to stay in Hungary or in Estonia. They come to Germany, to Holland. And people sense that those are not the real refugees. And our government has spent billions of euros on them, and the Dutch people know.
I had to turn down films and plays because I had a job, and I could not take up better job offers that required me to relocate, because I did not want to lose the link with theatre. It was a huge decision for me to quit my job.
After 9/11, we had this "terrorist-Muslim-threat" in the US but at the same time, next to that, in Holland we had this growing awareness that the so-called integration of new Dutch people, a lot of those that had come to live and work in our country originated from countries such as Turkey and Morocco, and a lot of them are actually Muslim, wasn't quite the success the state always had thought it was. The "new" Dutch didn't feel totally accepted, treated as second-rate citizens, and parts of the "old" Dutch suddenly believed that the new ones were trying to destroy our society.
[The Dutch] people want [refugees to be safe] but don't come here. And don't forget, people are very angry about that, that most of the people who came to Holland were younger people, often young men who crossed before coming to Holland six of seven safe countries in order to be in Holland. If they just wanted to be safe, they would have stopped at Turkey or maybe if you find Turkey unsafe, in Greece.
[European audiences differ from American] they talk different. The ones in Holland speak Dutch. The ones in Switzerland speak Swiss. That's the only difference.
I moved to New York when I was eight years old, in 1978. I grew up in Manhattan. I couldn't speak any English, and I had dyslexia, so it took me many years before I could read.
I enjoy turning things on the audience. I really like working in genre because people come into the films with certain expectations. They know the tropes so well that, when you turn on those, it can be shocking because there's a complacency that comes with watching those films.
I took the part in 'Mr. Holland's Opus' because no one had ever asked me to play 'a life' before. I get to age through 30 years. The idea really challenged me.
I have been getting some offers of films. But more than films, I have been getting offers for serials which I have obviously declined.
In fact, I had a series of offers which would have brought me a lot of money to make films and package TV programs. There were people who said to me, we'll put a million dollars in your bank account tomorrow, which is a hard thing to turn down.
I'm working harder now than ever before. I couldn't turn down the BBC job because I've never been offered the opportunity of killing three or four people on screen before!
Well, I grew up between Holland and Israel and then moved to France when I was eleven.
When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
My husband is a Dutch television correspondent. He's not taking any job away from an American. Because I don't really think there are any Americans that can speak Dutch and explain American politics to a Dutch audience.
When I got out of the military, I finished up my education at the University of North Carolina at Wilmington, and I had some mentors who said, 'You got what it takes. You should consider going to graduate school, getting a Ph.D. in neuroscience.' I didn't think I had what it took until somebody who had a Ph.D. told me I had what it takes.
I'm from Holland and the history of "Admiral" is something you would read about when you're at school. Nobody knows about these stories and when you go to any museum in Holland, you will see these paintings of these 17th century sea beckels that the Dutch were in to, so it always intrigued me.
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