A Quote by Melvyn Bragg

The idea that popular arts were shallow by definition and the traditional arts were profound was dead, I thought, and I wanted to prove it. — © Melvyn Bragg
The idea that popular arts were shallow by definition and the traditional arts were profound was dead, I thought, and I wanted to prove it.
I majored in drama and theater arts at Columbia and was always in acting studio, but that was a liberal arts degree, not a bachelor of arts degree, so I didn't have a traditional conservatory training. There was a lot of reading and a lot of writing involved, and only about 30 percent of my classes were directly theater-related.
The arts were a big part of my childhood. We went to the theatre and opera a lot as a family. We were not at all wealthy, but it was at a time when the arts were publicly funded and there were free tickets available. For someone like myself who wasn't that academically inclined, it was a great escape.
Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows; in a mass medium, the artist decays profitably.
I was raised with the idea that the arts were a doss - but the arts are vital. If you see Mark Rylance perform Shakespeare at the Globe, you know it's a spiritual act.
My father didn't compete ever in martial arts tournaments because they were not real. They were tag tournaments or touch tournaments, which he thought was bizarre and not really what the martial arts is about.
We wanted the elemental 'bending' to be based on authentic Chinese traditional martial arts, believing this would lend a beauty and resonance to the animation and the fictitious disciplines. Once we had that idea, I started looking for a Kung Fu teacher/Martial Arts consultant. My search led me to Sifu Kisu and I began training with him right away.
When I was still a student, I came out of a performing arts high school, and the female students who were doing traditional dance and ballet were so beautiful. They were beautiful, starting from their postures.
You know, I went to Oberlin. At that time, grades were - you elected to have them or not. It was all of that era where grades were out the window. But I did very well in school. I didn't really study the arts; I practiced the arts.
The liberal arts are the arts of communication and thinking. 'They are the arts indispensable to further learning, for they are the arts of reading, writing, speaking, listening, figuring.
Miles and I had been looking to do a martial arts show for some time. Our first two movies that we wrote were "Lethal Weapon 4" and "Shanghai Noon" with Jackie Chan. Then we sort of got pulled into the superhero world, but then you look around at what's not on television and there wasn't really a martial arts shows. There are shows that do martial arts to a degree, but there's not a martial arts show.
The arts were like, there's no opponent. It's just yourself. I'm not saying they don't make the arts a competition with awards and all that, but that's outside the work itself.
That's the very definition of freedom: to be allowed to develop our own creative potential to the fullest. But it doesn't have to be in the arts, obviously. In my case, I gravitated toward the arts.
Both of my parents were incredibly supportive of me being in any arts, because they were both in the arts. They weren't the typical story of, "Oh, get a real job. You need to make money." They basically said, "Yup, be an artist. You'll be broke your whole life but you'll be happy."
The arts are not a frill. The arts are a response to our individuality and our nature, and help to shape our identity. What is there that can transcend deep difference and stubborn divisions? The arts. They have a wonderful universality. Art has the potential to unify. It can speak in many languages without a translator. The arts do not discriminate. The arts lift us up.
Above all things, Strikeforce is a stable, established business that has experience with live events, and it has the martial arts culture. I worked closely with EliteXC and they had no martial arts culture. They didn't really understand what they were doing, so the odds of them being successful were kind of a crapshoot.
A lot of Chinese martial arts films were based on Chinese martial arts novels. And these novels created a world of putting history, calligraphy, and martial arts into one.
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