A Quote by Melvyn Bragg

Once, the arts were opera, ballet, classical music, and everything else deemed highbrow. — © Melvyn Bragg
Once, the arts were opera, ballet, classical music, and everything else deemed highbrow.
The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.
When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
And whether or not you're interested in opera or classical music or folk music or the theatre, I think that for a nation's health and well-being it's very important that the arts scene is supported.
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
Country music as a genre, as an art form, is just as valid out there in the pantheon of the arts as classical, jazz, ballet, whatever.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
I remember once saying in a television interview that the only things I hadn't been in were the opera and the ballet. Two days later, I got a call from Lord Harewood, of the English National Opera, saying "Would you like to be in 'Ariadne auf Naxos?'"
I was a dancer for long time. And you always hear that ballet is the core of dance, and that - once you have that down - you can do everything else. For me, jazz is like that for music.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
I'm a classical ballet dancer, and at the end of the day I want to be with American Ballet Theater, performing classical ballets.
Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
I was raised on piano and saxophone and jazz music for ten or twelve years. Before I even picked up a bass. My whole family has always pushed the arts, you know? My brother is a doctor of music and my cousin is an opera singer over in Austria. Arts were always a big thing in our family.
Peaky' has attracted a lot of attention from different disciplines in the arts. It was originally going to be a ballet, which is Ballet Rambert, and there is also a lot of music artists who offer their music to the show to be used on the soundtrack.
As a piano player, if 10 is concert level, I'd put myself at a 5 or a 6, but in a completely different genre than classical or opera. In terms of classical and opera, playing accompaniment, I'd say I was a 3.
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