A Quote by Melvyn Bragg

A lot of the novels that I've really enjoyed in my life, whether it's Tolstoy's 'Cossacks,' or 'Sons and Lovers' or 'Jude the Obscure' or 'David Copperfield' or 'Herzog,' have an autobiographical spine.
As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.
At the age of 9, I read David Copperfield by Dickens. At 14, I read War and Peace by Tolstoy. They're both books I have reread regularly since.
I think one of the few faults in Dickens is that mostly his lead characters are blanks - who is David Copperfield, who is Oliver Twist? And yet he takes such joy in populating the rest of his novels with these fantastic, grotesque people like Pecksmith and so on.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
On working with director Werner Herzog: I have to shoot without any breaks. I yell at Herzog and hit him. I have to fight for every sequence. I wish Herzog would catch the plague.
A lot of first novels are coming-of-age stories. A lot are autobiographical.
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
I started with [Leo] Tolstoy and I was overwhelmed. Tolstoy writes like an ocean, in huge, rolling waves, and it doesn't look like it was processed through his thinking. It feels very natural. You don't question whether Tolstoy's right or wrong. His philosophy is housed in interrelating characters, so it's not up for grabs.
If you really think back to the great writers, there's a lot of happiness in Tolstoy; there's a lot of love, there's childbirth, and there's dances. And likewise in Shakespeare and even Cervantes, there's a lot of celebrations of the positive manifestations of life. Technically, I found it harder to do, so that's kind of a good late-life challenge - without getting sentimental or chirpy.
I remember I had a copy of 'David Copperfield' that I lugged around at primary school. I started reading it when I was seven, and I was eight when I finished it. I read an awful lot as a little girl and played games and imagined lots of things.
I went to NYU completely with the idea I wanted to be the next David Copperfield.
Many books have mattered enormously to my life and work. 'David Copperfield' by Charles Dickens would be one of several contenders for 'most influential.' I first read it at 13 and have reread it dozens of times since.
One of my favorite books was 'The Book of Immortality' by Adam Leith Gollner, which talks about cheating death and life extension and frames with a story that David Copperfield finds a fountain of youth on an island he bought.
'Bleak House' remains a great novel for me, and I love 'David Copperfield.'
When I was working on a Victorian-era novel, to get in the mood, I read several historical novels set in approximately the same period and place, and really enjoyed the detective novels of John Dickson Carr.
I'm not called Jude Law, I have three names; I'm called 'Hunk Jude Law' or 'Heartthrob Jude Law'. In England anyway, that's my full name. That's the cheap language that's thrown around, that sums you up in one little bracket. It doesn't look at your life. But if one looks beyond, there is actually a little bit more.
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