A Quote by Melvyn Bragg

Autobiographical fiction is very tricky. — © Melvyn Bragg
Autobiographical fiction is very tricky.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
Everything is autobiographical, and nothing is autobiographical. That's fiction.
Doing science fiction at a high level is tricky. It's really tricky.
Prose gets divided up into fiction and nonfiction and short fiction and long fiction and autobiographical nonfiction and so on. Poetry can do any of those things except with the added definition of intensified formal pressure.
All fiction is largely autobiographical and much autobiography is, of course, fiction.
Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.
It'd be tricky to read into my lyrics - some are autobiographical, but sometimes I just like the sound of words.
Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.
Fiction always reveals a lot about the person who is writing it. That's the scary thing. Not in a straightforward autobiographical sense. But the flaws in a piece of fiction are, unhappily, so often also the flaws of the writer.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
All fiction is autobiographical fantasy.
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
Theology, like fiction, is largely autobiographical.
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