A Quote by Memphis Slim

The blues ain't nothin' but a botheration on your mind. — © Memphis Slim
The blues ain't nothin' but a botheration on your mind.
I don't play anything but the blues, but now I could never make no money on nothin' but the blues. That's why I wasn't interested in nothin' else.
There's a lot of women in blues music, lots of strong women and that sort of stuff. It's not the first thing that comes to mind when you think about blues. There were a lot of powerful blues guitar players in the olden times that were women. It's just that when you think about blues, you have this one image in your mind.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
Drop all your botheration to me and be free of worry
A guy will promise you the world and give you nothin', and that's the blues.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.
I started the day with some nothin’ tea. Nothin’ tea is easy to make. First, get some hot water, then add nothin’.
Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
Like you and your woman ain't gettin' along and you're in love. You can't sleep at nights. Your mind is on her - on whatever. You know, that's the blues. You can't hug that money at night. You can't kiss it.
Singing about your sadness unburdens your soul. But the blues hollers shouted about more than being sad. They were also delivering messages in musical code. If the master was coming, you might sing a hidden warning to the other field hands . . . The blues could warn you what was coming. I could see the blues was about survival.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
Theres no way in the world I can feel the same blues the way I used to. When I play in Chicago, Im playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
The blues brings you back into the fold. The blues isn't about the blues, it's about we have all had the blues and we are all in this together.
I think the blues is fine for blues players, but free blues has never made much sense to me.
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