A Quote by Mena Massoud

We've got to celebrate all diverse artists and actors and 'Aladdin' does that really well. — © Mena Massoud
We've got to celebrate all diverse artists and actors and 'Aladdin' does that really well.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
We made a commitment to making diverse stories with diverse characters brought to life by diverse artists.
When you come from a family of actors, people in show business, they really know to celebrate good news and to celebrate it hard because it's not every day that you get it.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
I remember when 'Aladdin' had come to India, there were a bunch of people who auditioned. We had to record a video, which I did on my phone. I had worn this red outfit and had to read the dialogues for Jasmine. The scene went really well, but then they also asked us to sing and I can't sing to even save my life. So I really got rejected.
I was in a panto last year, Aladdin and The Wonderful Lamp. I played the wick. I got the sack because I was too well-oiled every night.
Nowadays, you really have to make an impression quick and I think this does give people a chance to show off what they've got. It's very difficult these days. You really have to stand out quickly. I think it's also so diverse that there's enough material for everybody.
I would like to champion diverse forms like graphic novels and works told in verse and diverse writers and illustrators and diverse authors as well.
Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
[My father did] advertising. That's why I got into this business. I think because we're really boxes of soap - actors and singers. You're artists, but in the public eye it's a matter of advertising.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
AMC is a fantastic network that does diverse programming, and does it at a really good level and of great quality.
The name 'con artist' really does capture it. They're artists, and I have admiration for all artists.
With Saint Heron, I really wanted to celebrate and continue to cultivate the community for genre-defying R&B artists.
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