A Quote by Mercedes Lackey

I always work from an outline, so I know all the of the broad events and some of the finer details before I begin writing the book. — © Mercedes Lackey
I always work from an outline, so I know all the of the broad events and some of the finer details before I begin writing the book.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
I don't start a novel until I have lived with the story for awhile to the point of actually writing an outline and after a number of books I've learned that the more time I spend on the outline the easier the book is to write. And if I cheat on the outline I get in trouble with the book.
Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
An outline is crucial. It saves so much time. When you write suspense, you have to know where you're going because you have to drop little hints along the way. With the outline, I always know where the story is going. So before I ever write, I prepare an outline of 40 or 50 pages.
I never outline. I don't work from an outline. I have no idea where the book is going. I mean, even two-thirds of the way through, I don't know how it's going to end.
I never outline my novels before I write. I do have a vague sense of beginning, middle, and end at the outset of each book, but for me, writing has always been a very character-driven process.
Many people think that it is important to have a title before you begin writing the book, but I think you should never sit around waiting for the right title to strike before you start writing. Crack on with the story, put in the hard work, and the title will come eventually.
The challenge is always to find the good place to end the book. The rule I follow with myself is that every book should end where the next book would logically begin. I know that some readers wish that literally all of the threads would be neatly tied off and snipped, but life just doesn't work that way.
The Christian faith is meant to be lived moment by moment. It isn't some broad, general outline--it's a long walk with a real Person. Details count: passing thoughts, small sacrifices, a few encouraging words, little acts of kindness, brief victories over nagging sins.
Time spent researching varies from book to book. Some novels require months, even years of research, others very little. I try to do most of my research before I begin but inevitably questions emerge during the writing.
When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing.
I guess I have an aversion to writing about big events and heroic actions. The everyday has always seemed most important to me in writing, probably because I believe people reveal themselves in how they deal with small details.
we all begin the process before we are ready, before we are strong enough, before we know enough; we begin a dialogue with thoughts and feelings that both tickle and thunder within us. We respond before we know how to speak the language, before we know all the answers, and before we know exactly to whom we are speaking.
Something I found while writing 'Alice & Oliver' - a book that is unquestionably a work of fiction, but which also borrows details from my own life - is that writing the truth often requires invention and imagination.
Before writing, I start with a series of questions, specific things I need to know before I can write the book... That list grows and changes as I do more and more research. But when I've answered the bulk of the questions, I begin to write.
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