A Quote by Meredith Brooks

I had a very sexual experience onstage once. But I won't go there. — © Meredith Brooks
I had a very sexual experience onstage once. But I won't go there.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
My wife and I got to go onstage at a Flaming Lips concert at Webster Hall once. We dressed up like Scientology aliens and danced around. We had a shootout onstage with Santa Claus.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
When people asked me, "Do you get high to go onstage?" I could never understand the question. I mean, I'd been high since eight that morning. Going onstage had nothing to do with it.
I've done stand-up since I was 18 years old, and I absolutely love it, but I used to go onstage, and the audience was my peers. Now I go onstage, and I could be their mother.
I don't really have any kind of rigorous or definite routine before I go onstage. I like to eat at least an hour or two before I go on. If I can't do that, I just wait until after. I try and drink lots of water before I go onstage.
I want to be able to walk a red carpet and look great but also be able to shred onstage and move. So I tend to go for comfort over anything - I like menswear-inspired stuff but I also like getting glam once in awhile. Whatever I wear, I like it to feel very strong and very unique.
Once in a while I experience an emotion onstage that is so gut-wrenching, so heart-stopping, that I could weep with gratitude and joy. The feeling catches and magnifies so rapidly that it threatens to engulf me.
The more I go onstage, the more quiet I am before, because I intend to go onstage and slaughter.
This act of piss, which can be considered sexual by some, a pleasurable experience, is at the same time total disrespect. I had once asked a friend to do this picture and he totally refused. So I carried the idea around with me for years. When I was invited to do a Honcho shoot, I approached Phillip, who was the barman at The London Apprentice, and fortunately he knew who I was. He had a copy of my first book, and that broke the ice. At the end of the shoot with him, I realized I could ask him to do this picture. I had waited four years to do it.
Jazz onstage is a very intimate exchange between everybody that's onstage.
Everyone is scared of having a free sexual life and what they do is go on the Internet and masturbate. This is the pure sexual misery today. They don't even go to the movie theater like in the '70s.
Often if you are very, very close with someone, sometimes it does not read. In effect, your dynamic onstage is defused. You share too much onstage. There's sort of a blurring of behavior that doesn't read to the audience as chemistry.
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