A Quote by Meredith Brooks

Psychology Today is probably one of my favorite magazines, Guitar, Guitar World. People. — © Meredith Brooks
Psychology Today is probably one of my favorite magazines, Guitar, Guitar World. People.
'Guitar World' is one of my favorite magazines.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
Anytime you go to see a band with a guitar player, there's always a fear of guitar overkill! That's a funny question. If you went to a Taylor Swift concert or a Jay-Z show, people would think, 'Oh, my God, I hope I don't get guitar overkill.' People come to our show for guitar, and there can never be enough.
Oddly enough, Hendrix is not my favorite guitar player. There are very few guitar players I get feeling from.
Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.
In high school, I decided I wanted to learn guitar, so I picked it up and starting teaching myself some basic chords and started playing with friends. Guitar inherently lends itself to be guitar music, especially when you're not good at guitar.
I mean, no offense, but I don't really see why, like guitar players from Creed, or something like that, are on the cover of guitar magazines. Almost anybody can sit down and learn to play those songs.
I was doing someones hair the day I first saw my guitar ... a guy was walking down the street with it, and knew that guitar was mine (a 1953 weathered Fender Telecaster) .. I said I'll get you the most beautiful guitar you've ever seen and I'll trade you straight across ... I found him a purple Telecaster and said here's your guitar ... that was it, it was like he knew that guitar belonged to me.
I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.
I'm a guitar player. I've carved out my own style of guitar music, so I don't look for inspiration with playing guitar.
Oh, man, I love the Staple Singers. I love Pop Staples' guitar playing, too. He's one of my favorite guitar players.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
The guitar player that I'm doing my solo tour with, Angel Vivaldi, he's been releasing incredible guitar albums and people just don't really know about them because instrumental guitar isn't really at the forefront of music these days.
Buffalo Springfield had three guitar players, and we thought they were so cool. So we started doing the three-guitar thing, and people started calling us the 'guitar army' and all this stuff.
All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
This site uses cookies to ensure you get the best experience. More info...
Got it!