A Quote by Meredith Brooks

A long term goal is to encourage students to start doing concerts in which I or the other artists will come back at the end of the school year to see their concerts. — © Meredith Brooks
A long term goal is to encourage students to start doing concerts in which I or the other artists will come back at the end of the school year to see their concerts.
There has been a huge growth in the audience attending live concerts. It's delightful to see the increase in audience members and I hope to see more demand for live concerts in the years to come.
Pop concerts create an audience for Pops concerts, not an audience for classical symphonic concerts.
I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.
Providence School of Art students used to sneak into P Funk concerts.
I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.
Talking about the all night concerts, I did some of the first all night concerts back in the 60's with this little harmonium, and I also had saxophone taped delays.
I did 'Oh Holy Night,' which is one that I grew up listening to because I was in choir in high school and we would do Christmas concerts and competitions every year.
I go to metal concerts as well as classical concerts, and I love both of them.
My dad was the one who took me to concerts and introduced me to new artists. One time, he drove me from Pittsburgh to Washington, D.C., on a school night to see 'U2' - he was a pretty dedicated Bono fan.
Kids bring their mothers and grandmothers to our concerts. You don't see that with a lot of artists today.
Real estate was one of the first things I was doing. I kinda like mistakenly fell into that. I bought a house early in my career, and in my head, it was like, if everything goes wrong, I own this one house, you know... As I started doing concerts and more concerts, I started buying more houses.
I would never inflict my bassoon on anybody really other than the long suffering audiences that come to the concerts of The Really Terrible Orchestra; which actually is really terrible.
When I do things, like, with Josh Grobin, or he has so many fans, and I get people after my concerts, classical concerts, all the time coming back and saying, 'Never heard of you until I heard the song with Josh Grobin.' Then they're now classical music fans, which is something I think we need to reach a wider audience.
When we did concerts, we wanted them to be theatrical events - collaborations with designers, choreographers, and directors - because we thought traditional rock concerts were boring.
Every year I'm doing different projects, concerts, touring, open-air festivals.
I do probably 60 concerts a year in the States. And I go out to clubs in the week. I'm doing new stuff all the time.
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