A Quote by Meredith Monk
Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment just doesn't work.
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When an old tape machine makes pitch wobble, some people would say that compromises fidelity and would try to get rid of it. But to me that wobble adds richness, it instantly brings back the feelings you associate with old recordings.
I never want to cannibalize my act, and I'm really excited that I am going to be able to perform new material. I'm not a huge fan of repeating jokes, and I don't really do any of my old material from old stand-up acts.
I think things are going to go right for me again. I'm not old. I'm old enough, but I photograph young, thank God, and I still have a public. I still get fan mail.
He's been a top player for the last 10 years, and we all work on our swings, we all change things. We keep working and then we're trying to get better, and sometimes you get worse trying to get better. You've just got to give it some time, be patient for it to turn around, and when it does turn around, you feel like you can start winning again.
The thing is, it really did take us too long to get these recordings done. We've had our rough times in the studio in the past, but after four weeks most of the material would have been recorded. This time it seemed like it just goes on and on.
Everyone goes through those stretches. Everyone you talk to in this game, old coaches, old teammates, old players, whatnot, they all have those, 'Oh, I was 0-for-25, I was 0-for-30 one time.' I just try to not to get it that far, get it to that point and take it one at-bat as a time.
That's the thing about letting old lovers go. You don't stop loving some of them. There are a couple you love no less than you ever did. Not to mention namesbut I'm still in love with a couple. You're not going to try and make it work again, but if they needed you, you'd drop everything.
What i'm trying to tell you," Min said, "is that im going to grow up to be one of those chubby old ladies. It's in my genes. Like self raising flour. i'm going to pouf." "thats going to work out well for me," Cal said. "because i'm going to grow up to be one of those horny old men who chases chubby old ladies around the couch.
I try to give my work everything I've got, because when you're dead or you're out of the business or you're in an old actors' home somewhere, if you've done a good job, your work will still be 16 years old and dancing and healthy and pirouetting and arabesquing all over the place. And they'll say, "That's who he is! He's not this decaying skeleton."
Kids who are least impressive in my class are the ones who only listen to one kind of music. They only listen to country or only to rap or to gospel or anything. It's a sad thing. I try really hard to get them to go out and listen to things. It's amazing what you learn. ... I'm still trying to learn. It's not like I'm going to be a calypso singer. That's not going to happen, but I'm sure there's something in that, that I can learn from and apply to my own work.
I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
I am old enough to know that time passing is just a trick, a convenience. Everything is always there, still unfolding, still happening. The past, the present, and the future, in the noggin eternally, like brushes, combs and ribbons in a handbag.
I will never joke about old soldiers who try to get to reunions to talk over the war again. To talk of old times with old friends is the greatest thing in the world.
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
I confessed recently to an old friend, "I realized I was looking at you, in your visit, through old glasses. Speaking old words. Telling old stories. I realize that in my life I've made so many physical changes and I need to give my spirit time to catch up." Time for my spirit to look at my friend through the new glasses of current life experiences. Old friends are precious. They become even more treasured when they are wrapped in the currentness of life experiences and not relegated to the past in which they once lived.
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