A Quote by Merle Haggard

95% of the album is my writing, by choice, because it seems to be what the distributors want. — © Merle Haggard
95% of the album is my writing, by choice, because it seems to be what the distributors want.
To actually pursue our ambition to its zenith, we should have made another album, because in the States we'd only had one successful album. In a sense, Wham! failed in its ultimate goal, even though it got 75 or 95 percent of the way there.
[Doing a bilingual album] helped artistically because whenever I got bored of writing in English, I would write in Spanish. It's always cool when you have the choice.
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
I'm over the word 'like' in conversation, and 'you know' seems to be the placeholder of choice, but when I'm writing dialogue, I tend to use those phrases because that's how people talk.
We had sold a lot of copies of the 'Miami' album without being racked by some of the big distributors.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
I think talking is as casual as blogging, and sometimes writing can be as casual as talking. My informal writing style is a political choice, because I want feminism to be more accessible.
My informal writing style is a political choice, because I want feminism to be more accessible.
The idea that I am cynical because I'm writing the books that I write is a bit like someone saying, 'What, you've done a second album? Oh, I see, cashing in on your first album, are you?' But I'm a musician! It's sort of what I do.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
Just because a musician writes a great album doesn't mean they don't want to continue writing great music.
Yeah, the next Wu album should be out by late '95.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
I don't know if I want to record together again. I go off and on it... In the old days, when we needed an album, Paul and I got together and produced enough songs for it. Nowadays, there's three of us writing prolifically and trying to fit it all into one album.
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