A Quote by Merlin Mann
Go a little easier on yourself, and in so doing, be prepared to make and do things that might seem silly at first. Just keep moving: don't ruminate and stare at the wall. Don't just play with your phone: go out and produce something.
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Don't just play with your phone: go out and produce something.
I love doing comedy, I really do. It was perhaps my first love. And I think, as an actor, you're young and you do school plays and the reason you go 'I might do more of this' is because you make people laugh in a school play. You don't go and do Hamlet when you're nine and go: "I feel people were really moved out there!" You do a silly voice and everyone laughs and you go: "Ooh, that feels quite nice. I might make a life out of this!"
I just go out and play my game. Just making sure I keep doing those little things, like playing with toughness, that's just me.
Sometimes I would go home from work and just stare at the wall for a couple of hours. But, I can't complain. Whatever knocks you out working is the kind of work that I want to be doing because it's always those challenges that are the most exciting, and the things I hope to get to keep doing in my work.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
You just have to let yourself go and not be worried about what other people are going to say or the things that might come out...Just jump right in full force and be as silly and stupid and adolescent and introspective as you want to be.
Don’t look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you’re constantly working on it. Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
You can read books on stuff all day long, but until you get out there and just do it, if you want to start playing, and you want to make some music, then go out and play. Go find yourself a venue and play, even if it's in your home. Just play every day. You win the fight by fighting.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
I would encourage people to realize that you don't have to panic if you're not part of a mainstream, or if you find yourself outside the flow. If it doesn't suit you, don't go along with it. Just sit it out and get your stuff done. Don't just sit moaning or getting drunk—I spent some years doing that. But if you can just come up with something of your own, however minor it is, that's going to be easier to live with when you're at the end of your life.
I just work. I'm doing shows, and I get love everywhere I go, so I would say I'm doing something right. I don't really sit here and dwell on it. I just do what I gotta do, and keep moving.
We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.
The next time you find yourself in some way trying desperately to land safely, your compassion might be what finally gives you the courage you need to let go of the controls. In doing so, you might discover that each time you let go, it becomes easier and easier to re-enter the atmosphere of your own aliveness. Gradually you’ll come home to the flow of your own living presence, the warmth and space of your awakening heart.
To keep the edge, you just keep doing something new. I'm not gonna say that working is easy, but while I'm doing it, I'm just a happy little moron - that's how my girlfriend describes me. The fact that nothing might happen with those things is not the point. The point is, I'm doing new things, and I have a good feeling in my soul.
The two biggest things to understand when you're tracking the ball as a defensive back is your position on the field and understanding that once the ball is in the air you become the receiver. Too many young defensive backs worry about the receiver catching it or what the receiver is doing instead of focusing on what they should be doing. Just go out and make the play yourself, don't worry about him. Know where the ball is and attack it. Put yourself in position to bat it or catch it and make the play.
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