A Quote by Merritt Wever

I grew up in New York, and I grew up with a mother who was an arts lover herself, and I went to these New York City public schools with these great arts education programs, so it was something that I was lucky enough to be able to be exposed to very early.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
My feeling about growing up in New Jersey was, 'How come I'm not in New York?' That being said, I'm older and I have a better worldview now, and so I think I grew up in an incredibly privileged position. The town I grew up in is beautiful. I got a great education, and I'm very grateful for it.
I grew up in New York City in the late '70s, at a time when U.S. - China relations were something that was on the front page of The New York Times on a regular basis.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I grew up in New York City: Harlem, New York. I played ball for probably two of the biggest amateur basketball organizations in the city.
I grew up in Connecticut, going in and out of New York City, and I worked in the city in the '90s. I was freelancing for the Associated Press, and I fell in love with New York.
Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.
Mid-'80s in New York was fantastic. I remember my first Gay Pride parade in the city. Where I grew up was very sheltered, so when I got to the city, there was this freedom and so much happening. At the same time, there was this pressure of AIDS and everything else. New York is so different today.
When I grew up in Cincinnati in 1974, the Board of Education set up the performing school, similar to the New York performing arts school, and it was in walking distance from my school.
I'm from New York. I grew up there. I grew up in Westchester County, the suburbs. For me, that was always the best of both worlds. I was super lucky to have a place where I could pretty much practice drums unperturbed. Obviously there were neighbor's complaints, but not very often, and I could get to the city easily by myself or with my parents.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
New York is a great place to be fed in the arts. The arts in general are a large part of my life. The city was my postgraduate course.
I grew up in New York City - I grew up surrounded by every sound that you imagine can come from a New Yorker. All of the different boroughs and all of the different sounds.
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
I've benefited enormously from an arts education and a music education in New York. When they cut the programs for funding, I was devastated.
There is a love-hate relationship between New York and the rest of the country, but New York is unarguably the city that sets the standards, the city in which all who have anything to do with the arts dream of working and succeeding.
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