A Quote by Merritt Wever
I wrote a lot when I was younger, though never anything like plays or scripts.
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I used to dance a lot when I was younger. And I didn't want to stop doing it. I auditioned for drama school and then, luckily, I got my first job. There was never really a particular moment, more like moments of "I love this," or scripts that you read, or films that you watch, or plays that you see, that make you want to keep doing it.
You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
I wrote a lot of scripts that were dark and fairy tale-like, but too strange.
I'm still there, watching those possessed children, as far away from the mystery now as I was then. I've never written, though I thought I wrote, never loved, though I thought I loved, never done anything but wait outside the closed door.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I've never played a character that is just beautiful, but sometimes you can read scripts that sound so shallow, like women are objects. I've never done something like that, though.
When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.
I was a lot younger - when I wrote Water Lilies. I was like 26. It felt so natural to write about adolescence.
When I was growing up, a lot of books affected me, but I never wrote letters to the author or anything like that. I'm always mindful that there are probably a whole bunch of people reading my books like that, too.
I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.
I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
I always used to put on plays when I was younger for my family to watch, when I was 10 or something. I used to force older members of my family to watch the plays and younger members of my family to be characters in the plays - and my personal favorite was Batman.
My wife's a lot younger than me ... thirty years difference . . . You should never marry a woman a lot younger than you ... Never.
I fell in love with acting, just going to a lot of plays. My parents went to a lot of plays, and I went to a lot of schools that would get plays for kids.
I wrote much more quickly when I was younger. Over the years I've required more time in order for the pieces to arrive in a place I am happy with. The process cannot be rushed. I have to live with a piece for quite a while to feel it ultimately is where it needs to be - though anything resembling complete satisfaction remains elusive.
I wrote lots of scripts that never got made and they were terrible. I thought they were good at the time. You can't write two scripts and expect your career to take off. Keep writing. Be you. Be original. A lot of people go for a genre, which is fine if you can do that really well, but we all have such layered histories. We all come from a unique background. Write about your past, write about you. Or make stuff up, but make it about something that really matters.
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