A Quote by Merritt Wever

There's a lot to be said for getting really comfortable in a character. — © Merritt Wever
There's a lot to be said for getting really comfortable in a character.
I'd have to swing by the house first to change into something more comfortable.” “That's fine,” he said. “I'm all for you changing into something more comfortable.” “I'll bet you are,” she said knowingly. “Now, don't start getting fresh,” he said, feigning offense. “I don't think we know each other well enough for that.
I like exploring, especially being and getting more comfortable with a character and in the space a character is always in.
With non-professionals, there's a lot of time you have to allocate to getting what you want with them, but also you cast based on who they are, to bring out their real personalities. So it's less about working on character and more about just getting them comfortable in front of the camera to be themselves, and understanding the process.
I'm character-driven. If it's a great character and something different; because I find that a lot of the times you do get pigeon-holed, you do get the same characters over and over again because that's what producers are comfortable with. They've seen you do it, they know you can do it. I'm kind of getting a little stir crazy.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
I use a lot of sense memory and, well, I can't really avoid getting into character.
I spent a lot of time playing in miserable places that were not a lot of fun. Somebody once said it is character building and I was like: My character is just fine.
I'm really excited, because the character, Jules, is a really awesome character. I'm really excited to be playing her, and overall, I'm really excited to be getting back to my acting roots.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
I get to experiment with a lot of looks with my character so that's really fun for me. It's like getting to paint a new canvas everyday.
I took Meisner for a long time. I use a lot of sense memory and, well, I wouldn't say Method, but I can't really avoid getting into character.
I really don't like getting dressed up. It's a lot more comfortable to be in some type of T-shirt or dry-fit shirt and shorts. That's pretty much my typical attire.
I hate the concept of the clog! It's fake, it's ugly, and it's not even comfortable! And I hate the whole concept of comfort! It's like when people say, 'Well, we're not really in love, but we're in a comfortable relationship.' You're abandoning a lot of ideas when you are too into comfort. 'Comfy'-that's one of the worst words! I just picture a woman feeling bad, with a big bottle of alcohol, really puffy. It's really depressing, but she likes her life because she has comfortable clogs.
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.
I think there's something really positive about getting to explore a character for a long time on a TV show and live with that character and live with the choices they make, but it's also really great to step in.
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