A Quote by Merry Clayton

I was able to endure and play a special part in music history. And I always managed to keep working, even if I wasnt a big solo artist. — © Merry Clayton
I was able to endure and play a special part in music history. And I always managed to keep working, even if I wasnt a big solo artist.
I was able to endure and play a special part in music history. And I always managed to keep working, even if I wasn't a big solo artist.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!
I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.
When I'm on set, I do whatever I can to find my focus. One thing that stays pretty consistent for all my jobs is, I listen to a lot of music while I'm working. Because when there's all this stuff going on, for me to be able to put on headphones and listen to music helps me keep my focus,. A big part of creating a character for me is finding the general palette for what kind of music I'm going to be listening to.
When I started out, I wanted to be the kind of artist who could play the CMA Music Festival and then turn around and play Bonnaroo, and I've managed to do both.
I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
This arena is a special place. Everybody loves it. To be able to stand behind the bench and be a part of a great tournament for the '96 Elite is fun. The kids, having a chance to play in the building where the Penguins play, it's a special feeling for them.
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
I never envisioned myself as a solo artist; I was always part of a band.
During 'Idol,' I wasn't expecting anything. I just wanted to survive the competition, but my album and my music are a big part of who I am. Hopefully it translates well and I keep growing as an artist.
I was terrible in my first play. After that experience, I had to face that I wasnt good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.
I love being in scenes where I get to be part of a Maggie Smith put-down. A Dowager Countess put-down is always a special moment. Especially if you're working on set and she managed to do one off set at you.
Whenever I play recitals, the part where I talk about music and my experiences of music, audiences always like it. They feel more involved with an artist who talks to them. It's a nice experience for me as well.
I watched and learned about music as a member of Big Bang. Of course it's important to show my charms as an artist by showing my abilities but that's what our solo activities are for.
I fought doing dance music as a solo artist for a long time. I always thought there was a ceiling with it.
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