A Quote by Merry Clayton

You get royalties from certain songs that you do when you do background. It's according to the work that you put in. — © Merry Clayton
You get royalties from certain songs that you do when you do background. It's according to the work that you put in.
When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
I do pay performance royalties on others' songs I perform live, but I'm not recording these songs and putting them up for sale.
Record industry's not so much against artists, but certain people are just wicked people that sit up in the industry who go against the artist. The thing is, if you're in the recording business, where's our health benefits? Where's the royalties from when you put stuff on labels in different countries? And now, with all these 500 cable channels, you want your mechanical royalties, your licensing. There's so much technology that you've got to stay on top. They always try to tell you, "Oh, don't worry about the business side, just do the music."
I would have paid out royalties if we were still working together, carrying on Bob's tradition and generating income, but that was not happening. The Wailers didn't write the songs and they had been paid for their work in the studio.
Certain songs by hearing the rhythm, it tells you that is either a love song or you might be heartbroken or the songs give you the vibes and you just know that certain songs are militant that you have to write.
All the new songs have been written since the re-issue of Diamond Day. With my first royalties I got a Mac and a little mixer and a keyboard, figured out the basics of a music program, and gradually started to write and record the songs and the arrangements.
The royalties from downloading are bad enough but the royalties from streaming are non-existent.
There's certain countries that you can't get in if you've got a criminal background record. There's certain jobs in the States that you can't get because you've got a criminal background record. That follows you the rest of your life... and that's something you have to deal with the rest of your life.
We put on certain music when we're going to a party, right? You have that playlist of songs that you listen to before you get pumped up to go out.
I would say the hummingbird really deserves the royalties on [some of my songs].
There are certain things that make restaurants work and a certain kind of DNA that people who excel in restaurants need. But it's a lot like life, in the sense that you get out of it what you put into it.
In socialist society certain inequalities in property still exist. But in socialist society there is no longer unemployment, no exploitation, no oppression of nationalities. In socialist society everyone is obliged to work, although he does not, in return for his labour receive according to his requirements, but according to the quantity and quality of the work he has performed.
Long necks. The thrust of the head in a certain position. The way the fingers work, fabrics work. It's all part of my painting background.
You have to set big goals for yourself. And you have to put aside all the negativity in your life that tells you that if you came from a certain education or a certain family background that you can't achieve big goals. That's one of the things that America has.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
So I usually call the songs when I get on the stage, according to what the crowd feels like to me. I can jump from 50 years ago to right up to now, and people will be familiar with the songs. And since we never do them the same way, it's a new experience.
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