A Quote by Meryl Streep

I'm a pain in the ass to all of the costume designers with whom I work because I have very strong feelings about the subject. — © Meryl Streep
I'm a pain in the ass to all of the costume designers with whom I work because I have very strong feelings about the subject.
A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.
When I teach a class I often give the assignment: Photograph someone you love. I ask people to do this so they have a subject about whom they have feelings, a subject that is more than a model, or an object, or a shape, or an idea. In this way, they can judge the result not only by its technical success, but also by how well it describes their feelings.
Really it's all about what's inside the Superman suit. How you feel about yourself when you put that on because it's very revealing and very imposing if worn with confidence, I suppose. The first time I wore it, I didn't have that as much. I hadn't really trained any, yet. I hadn't read the script, I hadn't really worked on the character at that point. And I was standing around with a room full of costume designers and everybody was judging me right away and going, "Don't make your judgment on it, if this is Superman quite yet or not," because I hadn't done all the work that I would later do.
Joan of Arc should be played as a "pain in the ass" and how do I know she was a "pain in the ass"? ... because they burn her at the end.
I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
Set designers, costume designers, actors, writers, music, that's what is beautiful.
It's a really exciting thing to collaborate with production designers, cinematographers and gaffers and costume designers and editors and composers.
There are people with Asperger's whom I've met who certainly would be very upset to learn they'd hurt another person's feelings. They often have very strong moral consciences and moral codes. They care about not hurting people.
Some [actors] are really a pain in the ass today. I held out on getting an assistant forever because I didn't want to seem demanding... or like a pain in the ass. I didn't want someone working for me to hate me.
It's such a pain in the ass to write a book, I can't imagine writing one if I'm not interested in the subject.
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
I'm a passionate individual, and sometimes when I have strong feelings about a subject, I feel the need to express myself.
I am so worried about my shoulder, which aches now as I write. The pain is frightening because of its intensity. I want so much to get rid of this pain. I must be strong. I must be strong.
The Wright Amendment is a pain in the ass, but not every pain in the ass is a constitutional infringement.
I've always liked clothes. I usually work very closely with the costume designer when I work on films, picking the fabrics and the clothes. And colors convey feelings. I like swatches and things like that. It makes me feel at home.
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