A Quote by Meryl Streep

I remember, as I was hovering around 40, I thought each movie would be my last, really. — © Meryl Streep
I remember, as I was hovering around 40, I thought each movie would be my last, really.
In 1970, somebody once asked me whether I thought my books would still be around in 40 years, and I thought, 'How would I know, and why would I care?' Well, it turns out I really do care.
I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.
Well, the world has a million writers. One would think, then, that good thought would be as familiar as air and water, and the gifts of each new hour would exclude the last. Yet we can count all our good books; nay, I remember any beautiful verse for twenty years.
I sent my daughter 40 roses last November because I thought she was 40. And she laughed her head off. She is not going to be 40 until this year!
I just remember Kathy Bates getting on the stage and "The Oscar goes to Anthony Hopkins." I looked around, because I really thought Nick Nolte would get it. I really thought Nick would get it. I was very surprised. It was neck and neck with Nick Nolte and myself. So I really was expecting that to happen, and I went in there without any expectations.
My first interaction with William Shakespeare was an American production and there was an actress, playing Puck, who sounded like Mickey Mouse. When she said, I'll put a girdle around the earth in 40 minutes," I was amazed - the idea of Puck traveling around the Earth in 40 minutes was amazing to me. My dad, who was a scientist, I remember him telling me that Sputnik circled the globe in an hour in a half. And I thought, "Wow, Puck is twice as fast as Sputnik."
The whole concept behind 'Forty Chances' is really a mindset: If everybody thought they had to put themselves out of business in 40 years, you had 40 chances to succeed in what your primary goals are, you would probably be more urgent and you would be forced to change quicker.
I read that MTV's Real World got 40,000 applications. That's amazing, such an even number. You would have thought it would be 40,008.
'Elf' has become this big holiday movie, and I remember running around the streets of New York in tights saying, 'This could be the last movie I ever make,' and I could never have predicted that it'd become such a popular film.
I remember when I was much younger maybe about five, mum, dad, David and I would all race each other one lap of the pool and I remember coming last every time.
There are people I'm drawn to that you just can't do a tiny, no-budget movie with. I would like to pursue some of that stuff, to see if I could do a movie with some of those people. And I don't really write scripts myself, but if I read a script I thought was really great, I would totally be up for doing a more traditional movie. It's just that I don't exist in that world. right now.
So there was one point I thought I was gonna lose it, but once I get on something I have to finish it; I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.
I used to have a group called Bad-Movie Saturday. Every Saturday, six of us would go see the worst movie that came out each weekend. It'd be noon in Burbank. It was just a running commentary. All executives - we would each talk through the movie and make jokes.
I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.
I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.
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