A Quote by Meryl Streep

When I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
So yeah, when I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
I have had every hair color. I joke with my hair colorist. She keeps sheets of paper on every hair color that I've had, so she has records of it all. She's done my hair since I was 15, and I guess I have a thick folder going because I've had so many different hair colors.
She had lived in that house fourteen years, and every year she had demanded of John that she be given a pet of some strange exotic breed. Not that she did not have enough animals. She had collected several wild and broken animals that, in a way, had become exotic by their breaking. Their roof would have collapsed from the number of birds who might have lived there if the desert hadn't killed three- quarters of those that tried to cross it. Still every animal that came within a certain radius of that house was given a welcome-the tame, the half born, the wild, the wounded.
She looked at his young face, so full of concern and tenderness; and she remembered why she had run away from everyone else and sought solitude here. She yearned to kiss him, and she saw the answering longing in his eyes. Every fiber of her body told her to throw herself into his arms, but she knew what she had to do. She wanted to say, I love you like a thunderstorm, like a lion, like a helpless rage; but instead she said: "I think I'm going to marry Alfred.
I had one young man tell me he wished I was his mom. Another young woman told me that every time she watched 'The Office,' I reminded her of her mother, who had just passed away a year ago, and that every time she saw me she felt as if she had a piece of her mom still with her.
She stared at Peter, and she realized that in that one moment, when she hadn't been thinking, she knew exactly what he'd felt as he moved through the school with his backpack and his guns. Every kid in this school played a role: jock, brain, beauty, freak. All Peter had done was what they all secretly dreamed of: be someone, even for just nineteen minutes, who nobody else was allowed to judge.
[May] understood people and she let them be whatever way they needed to be. She had faith in every single person she ever met, and this never failed her, for nobody ever disappointed May. Seems people knew she saw the very best of them, and they'd turn that side to her to give her a better look.
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
I once saw JLo's 'Behind the Music' special, and she said she may not get every role she auditions for but her goal is to make every single person a fan. That stuck with me, and I want to do that every time I see a client.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
Hillary Clinton trashes the banks every time she opens her mouth, and yet she made $21 million in two years making speeches to those very banks that she trashes every day.
They had become a fixed star in the shifting firmament of the high school's relationships, the acknowledged Romeo and Juliet. And she knew with sudden hatefulness that there was one couple like them in every white suburban high school in America.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
One day, when I was still living at home, a friend told 'Texas' Jean Valli about me. She was originally from Syracuse, N.Y., and lived in New Jersey but sang country. One night, she had me come up on stage where she was performing. I sang 'My Mother's Eyes,' and she was knocked out.
Every woman dreams of love. When she is young she prays she will find it. When she is middle aged she hopes for it and when she is old she remembers it.
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