A Quote by Meshell Ndegeocello

I joke that a person of color would never make a movie like “Midnight in Paris.” Nostalgia isn’t so enticing. — © Meshell Ndegeocello
I joke that a person of color would never make a movie like “Midnight in Paris.” Nostalgia isn’t so enticing.
I joke that a person of color would never make a movie like 'Midnight in Paris.' Nostalgia isn't so enticing.
Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.
Some people think black is the color of heaven, and that the more they can make their faces look like midnight, the more evidence they have of grace. But God, who made the sun and the flowers, never sent me to proclaim to you such a lie as that.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I've never been to anywhere in Africa except Egypt. We've never performed there, so I would definitely like to make that trip, probably to South Africa. I'd also like to score a movie from top to bottom. I've had songs in a bunch of films but never done an entire movie. I'd like to do that and have it to be a hit, too!
The movie studios, they only like to make - I make a joke, but it's true - if the movie has the word "man" and a number in the title, they'll make it. If it doesn't have that, it's an R-rated raunchy comedy, and that's it. Any other movie that you're going to make is going to be an independent one. So for filmmakers who want to do something other than "man" and a number, it's either independent films or television, which is like the place for real creative filmmakers to go.
I started to make a joke that I had an imaginary friend underneath the let-out couch named Binky. I would never talk to him; I would only use him as entertainment for other people. I knew they thought that children had imaginary friends, so I was like, "I don't really believe in imaginary friends, but I want to feel like I do." I used to make a joke, "My imaginary friend Binky says this," because I knew it would get a laugh out of them.
The quality of life of European cities and towns of almost any size make life in America look not just like a joke, but a sick joke, a horror movie. But I'd rather stay involved and do what I can to make this a better place than move to the south of France and enjoy the good life.
Regarding 'Ferris Bueller,' I was in the Czech Republic once, in Prague, making a movie at the same time as Jeffrey Jones, who played the principal, who was making a different movie. The Super Bowl was going to be playing at this bar at midnight, so we decided we would go watch the Super Bowl at this bar at midnight in Prague together.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
I've never thought that I would see any man of color, not just a black president, but any man of color, I never thought that I would live to see that. I thought maybe my grandchildren would, but I never thought I would. So when Barack Obama first started to run I was like, "I've never heard of this guy - he probably doesn't have a shot." But then he started picking up steam and that piqued my interest.
I'm not allowed to make a joke. It is a bit unfair how I'm treated. I thought it was a joke. I got calls and messages. I would rather not to have to worry about things like that. It is disappointing.
If the first ‘Hangover’ movie were this awful, there never would have been a Part Two. This is a joyless, unfunny mix of comedy and drama, a complete waste of time, with exactly one good joke in the entire movie. It comes in the first minute. After that, you can leave.
I never would start writing before midnight and I would finish at, like, seven in the morning.
I can honestly say that in my time in America, I have not encountered any racism. When Jim Thorpe and I make fun of each other on the range, or even when a white player makes a joke about my color, I take it as what it is-a joke-and give it back accordingly.
I remember seeing Richard Pryor's first movie; it was a midnight movie when I was in high school. I must have been about fifteen. It was one of the most cathartic experiences of my life. I'd never laughed that much.
This site uses cookies to ensure you get the best experience. More info...
Got it!