A Quote by Meshell Ndegeocello

There's no hierarchy in suffering. I think songs that are transcendent are the ones where everyone can feel something from it, you know? — © Meshell Ndegeocello
There's no hierarchy in suffering. I think songs that are transcendent are the ones where everyone can feel something from it, you know?
The first noble truth of the Buddha is that when we feel suffering, it doesn’t mean that something is wrong. What a relief. Finally somebody told the truth. Suffering is part of life, and we don’t have to feel it’s happening because we personally made the wrong move. In reality, however, when we feel suffering, we think that something is wrong. As long as we’re addicted to hope, we feel that we can tone our experience down or liven it up or change it somehow, and we continue to suffer a lot.
Everyone you talk to in the world, whether they know it or not, because the catalog is so vast, a lot of times people have favorite songs that are Motown songs that they didn't even know were Motown songs.
If we are suffering illness, poverty, or misfortune, we think we shall be satisfied on the day it ceases. But there too, we know it is false; so soon as one has got used to not suffering one wants something else.
Everyone was saved once by music. So I decided to REALLY work on my songs and not just "play" - to make something really good, more "professional." Something which makes you feel better; a song who says: "I know how much you're sad, and you're not alone, this is a song made for you." I really wanted to help with my music.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
Every time I go to Africa, I feel like I hit true north. There is a depth of feeling that I have for the continent, in the richness of the people, the suffering , but also the transcendent joy that is there - it's like nowhere else on the planet.
What I say is that we're capable of a transcendent response, and I think it makes us happy. And I do think beauty produces a transcendent response.
It sounds corny to say, but the theater is sacred; something transcendent can occur, and when it does, everyone grows. It's a true communion.
Art doesn't have the stench of a community program. It's transcendent. It is transcendent of morality and transcendent of political position. It is absolutely free. It is the community center.
I feel like I write songs for the future or something. Not in an arrogant way, but I feel like maybe my songs were, like, before their time or something.
I feel that discrimination and hierarchy is something that people have to face constantly.
Enough, if something from our hands have power To live, and act, and serve the future hour; And if, as toward the silent tomb we go, Through love, through hope, and faith's transcendent dower, We feel that we are greater than we know.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
There are some concerns that are universal. Everyone wants to be loved, and everyone wants to feel like they belong somewhere in the world. Everyone wants to do something and feel like they have a sense of purpose. These are just the things that I think about and the things that make their way into my songwriting.
I think there's thousands of good songs in the world - the songs that we can all sing along to, songs that are just so catchy they end up being in your head. But I think a great song is something that emotionally engages with you and connects with you.
Everyone wants the same thing in this band, so we definitely respect each other. I mean, all of us have had hit songs, so it's a band full of people who really know what they're talking about, so you have to respect that even when you think something you have might be great, and they go, 'Man, it's not as great as you think it is.'
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