A Quote by Method Man

I want to do a documentary about strippers, 'cause it's a moneymaker. — © Method Man
I want to do a documentary about strippers, 'cause it's a moneymaker.
Yeah I'm telling real stories, but if you pick up a documentary on strippers, you're going to want to see some stripping, so we definitely got that in there.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
We're looking for stories that speak to us. We're looking for stories that connect us with something true. But, instead, a lot of the time we get strippers. All I'm saying is, when boys are writing the stories, the percentage of strippers is bound to go up. And real stories about real women kinda don't get written at all.
But one of the amazing things about documentary is that you can remake it every time you make one. There is no rule about how a documentary film has to be made.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
When I hear the word "documentary," I don't think certain things should be left out. You've got to keep it 100 percent as much as you can, unless your group has a meeting beforehand and says, "Yo -- don't say this, 'cause boom, boom, boom." Other than that, it's a documentary so let's document, you know what I mean?
When I hear the word 'documentary,' I don't think certain things should be left out. You've got to keep it 100 percent as much as you can, unless your group has a meeting beforehand and says, 'Yo - don't say this, 'cause boom, boom, boom.' Other than that, it's a documentary so let's document, you know what I mean?
What's great about documentary, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of 'documentary.'
What's great about documentary genre, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of "documentary."
A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
Real security will come when it's a moneymaker for private companies who want to satisfy public demand for an Internet that isn't crawling with bugs.
I'm not somebody who comes in with a whole outline, and says, "Here's the movie we're going to make." That's not what a documentary is for me. I think a documentary is about capturing events as they unfold in real time.
I'm just basically spillin' out my emotions to the world. 'Cause rap is about emotion. And I want you to feel what I'm feelin', 'cause that's what it's all about.
When you're making a real documentary, you shoot it and the movie happens. You don't make - this sounds corny - you don't make a documentary, a documentary makes you. It really does.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.
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