A Quote by Metro Boomin
I naturally, when I make beats, aim for a darker tone just because I've always preferred those types of feelings.
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I still have sadness and complicated feelings about my divorce. But how beneficial is it to keep hanging onto those feelings? If someone lives through an accident, his aim is to become better and healthy. My aim is always to progress - to make better decisions and be a better father, a better boyfriend, a better husband if it happens again.
I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
I don't have a hand in a lot of my own beats. I like all types of music and all types of beats though.
I'm always gonna have the darker edgy music; it is always in my pocket because it comes so naturally to me.
I just think I've always been sensitive and had difficulty containing my feelings, and I've always searched for outlets for that, because otherwise those feelings come out in chaotic ways that aren't always great.
Wear a foundation one shade lighter than your skin tone - you can always make it darker, but not lighter, once it's on.
I was a Spidey fan as a kid. I always liked the complexity and the teenaged angst that Spider-Man, Peter Parker, always had to deal with. It was kind of a deeper, darker storytelling that just good-guy-beats-bad-guy.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
Earlier, I used to try to act, but now I just react naturally. I feel the scene and then do it. Emotions, feelings just flow in naturally.
If you produce yourself and you're working in a band, there's certain compromises everyone has to make, because it's a democracy and you have to cater to each other's feelings. When you have a producer, you have this objective ear that's not worrying about protecting anybody's feelings, so he's just making hard decisions based on what works and what doesn't, which was huge for us. I don't think we'd be able to make those decisions by ourselves.
I was always a creative child. I also liked to paint and draw. All those years of doing those types of things, I was grateful I had those experiences because it changed my life later on. I know they weren't acceptable for what society assumed a boy should do, but I think its just your passion, it's what you're drawn to.
I've always been totally enamored by hip-hop. I wouldn't say I liked it exclusively growing up. It was, like, that and alt-rock. But I always preferred it. It set a tone for everything I wanted to do in life.
One is that I'm really interested in movies about sex and lust, because I think those are primal, carnal instincts that translate well to a visual medium. Two, these things that I write, or want to make, are an expression of - I don't want to say darker instincts, but let's say darker instincts. But that's why I'm a writer.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
Thoughts are the shadows of our feelings - always darker, emptier and simpler.
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