A Quote by MF Doom

I'm doing the shows. The stage is my canvas; I'll put whatever up there for the visible eye. — © MF Doom
I'm doing the shows. The stage is my canvas; I'll put whatever up there for the visible eye.
The stage is a supplement to the pulpit, where virtue, according to Plato's sublime idea, moves our love and affection when made visible to the eye.
I put on the canvas whatever comes into my mind.
I'm a dancer and when I walk off stage there isn't a dry spot on me. This means my hair has to be put up again between shows. I have to make up and dress all over again.
This is what I believe about performing: There is no reason to be on stage - there is no reason to be there - if you're not going to put all your baggage somewhere else and just be honest. Whatever you're doing - screw it up, do great - just be there, and be honest. That's the most important thing.
This is about relationships, about the placement of potent colors and the canvas sparkling through. I want the eye to dance across the canvas but direct you, too.
I never know what I'm going to put on the canvas. The canvas paints itself. I'm just the middleman.
I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
When you see the audiences and the smiling faces at the shows it really makes up for the work that you put in. I have a job I really love so whatever hecticness comes up - I'll just deal with it.
Wherever you go, there you are. Whatever you wind up doing, that's what you've wound up doing. Whatever you are thinking right now, that's what's on your mind. Whatever has happened to you, it has already happened. The important question is, "how are you going to handle it?" .... Like it or not, this moment is all we really have to work with.
I'd love to do Broadway or the West End. I'm sure doing eight shows a week is gruelling, but I did a lot of stage shows in Sydney and I love performing live.
The ones that catch your eye are the ones that are basically people who live on the road and follow us around. They're a small percentage of the audience, but they're quite visible. The ones who aren't visible are the stockbrokers, lawyers, doctors, housewives.
The acts of the human race on the world's stage have doubtless a coherent unity, but the meaning of the vast tragedy enacted will be visible only to the eye of God, until the end, which will reveal it perhaps to the last man.
Sargent, when he painted the size of life, placed his canvas on a level with the model, walked back until canvas and sitter were equal before his eye, and was thus able to estimate the construction and values of his representation.
When I'm not filming anything or on the road doing stand-up, I'm usually doing stand-up shows every night - usually a few shows a night at different clubs in the city.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.
This site uses cookies to ensure you get the best experience. More info...
Got it!