A Quote by MF Doom

A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?
The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.
My theory about meeting people,' he said,'is that it's better not to make a really good first impression. Because it's all downhill from there. You're always having to live up to that first impression, which was just an illusion.
You only get one chance to make the first impression. And I made the biggest first impression ever by throwing the Big Show over the top rope.
First impression is unfair, because a first impression of somebody is guarded, and you don't know the person.
You could be in a room with somebody you don't realize you're in a room with and that first impression or something that you give off might be appreciated by someone or it might not. I'm always just being mindful of you never know who's watching.
In the movies first impressions are everything. Or, to put it less drastically, in the movies there are no later impressions without a first impression, because you will have stopped watching. Sometimes a critic persuades you to give an unpromising-looking movie a chance, but the movie had better convey the impression pretty quickly that the critic might be right.
I've seen promotions rush things to market and not be strategic about it. The first impression is the lasting impression.
There's an expression in life: "You can only make one first impression." And that first impression has to be spectacular. So, I wait, and let people see it when it's ready to go. It's not a set rule, but I think it's the better way of working. People will agree with you because of your track record, but you want people to like it because it's good, not because you found it.
For me it's always about first impressions. I trust my instincts. I love to prepare if it's something that requires training. But I don't like to prepare the psychology too much. I enjoy the psychology of the character but I work better from a first impression.
By holding to the first woman, the first black, the first homosexual, the first transgender, the first native American, the first whatever, there is also something else more hideous that is woven into this intricate web of deceit, and that is the built-in excuse to why they might or will fail. It's because America is unjust. When you have the first woman to do something, the media questions, "Why haven't there been more?" Well, America is unfair, unjust, bigoted, sexist, and misogynistic.
I wonder why I never learn my lesson. It's feeling like the second chance and it's the first impression
You use marketing to see what an audience's first impression is because that is something you can never really know yourself until you see it.
What I am after is the first impression - I want to show all one sees on first entering the room - what my eye takes in at first glance.
[T]he first transactions of a nation, like those of an individual upon his first entrance into life make the deepest impression, and are to form the leading traits in its character.
As a director, I really have to rely on my first impression because I utilize that to best tell the story - that's all the audience has. I let the scripts be my Bible.
I think I give the impression of being a romantic, and I think inside I'm quite severe. But some might say they had the opposite impression of me.
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