A Quote by MF Doom

Everybody nowadays rhymes, but out of the people that really, really do it well, it's still a small community of artists. We all tend to be in the same circles - people like my Wu-Tang brothers, or Black Thought from The Roots.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I was a big hip hop girl, and still am, I listened to artists like Wu Tang, and K'Naan, but I was a particular fan of Biggie and Tupac.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.
I could never be a control freak. If Wu-Tang is a dictatorship, how does every Wu-Tang member have their own contract, their own career, and have put out more albums without me than they've done with me?
When Wu-Tang came, Wu-Tang was for that era, right there. When Dre had it in the West Coast, it was for that time. Biggie and them, it was for that time.
Rag 'N' Bone Man is for everybody, like Wu Tang is for the children.
Historically it has been a touchy subject, especially in the south where I am from, people don't really talk about it. If they do talk about it, it is often talked about negatively. Nowadays in light of the Black Lives Matter movement I think people should pay attention to these lives also. I think the Black community will really embrace the film [Moonlight]. It is about us. It is real.
I am a Wu-Tang member and Method Man, he been a Def Squad member way before I was a Wu member. I was like a Wu member but I wasn't official.
The more disgruntled the white people are, the happier they are to see me, that has to be it. I do really well in Boston, I do really well in Cleveland, I do really well in Philly, Jersey, certain parts of Florida. Places where there are really really aggressive white people tend to love me.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
The Universe is circles within circles, and everything is one circle, and all the circles are connected to each other. Each family is a circle, and those family circles connect together and make a community, and the community makes its circle where it lives on the Earth. It (the community) cares for that part (of the Earth) but cares for it as a circle - which is to say in a cooperative and egalitarian way, where everybody is cared for, and everybody is respected.
In my community of minimalists, there are really wealthy people who work at stock brokerage firms, there are people who are unemployed, but it doesn't seem to matter. We're all really good friends, and we get along really well. It's a very varied and diverse community.
When I was in high school and first starting to drive by myself, I listened to Wu Tang in the car, and I recognized their soul and R&B roots.
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