I think I have to expand my creativity a bit, because it's difficult for critics to be, "Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos." They funnel me through, "Oh, is it as good as blah-blah's record, which has had 50 million writers on it?"
Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
MacPherson told me that my theorem can be viewed as blah blah blah Grothendieck blah blah blah, which makes it much more respectable.
I think as we get older, as we get more mature and more experienced, we do realize it's like, 'blah, blah, blah,' oh there's the information I need, and then 'blah, blah, blah,' right? So we do this triage, I feel like, of what people say to us.
I don't want to be the guy who goes, 'Oh yeah, blah blah blah... everyone freaking well knows me.' Because that's not the case. Once in a while, someone will remember some silly thing I did and then they feel good. And they go, 'Oh, hey, Michael Bolton, I celebrate your whole catalog.' And I'm like, 'Great, great, I totally get it.'
All men hear is blah, blah, blah, blah, SEX, blah, blah, blah, FOOD, blah, blah, blah, BEER.
I thought that the hardest part would be the external - would be the - oh, nails and the hair and the makeup and the dress and the heels and the blah, blah, blah, blah, blah. And actually, that wasn't the hardest. That was very, very, very easy for me, and I liked it.
For many records, everyone was like, 'Oh, this next record is going to be their last, blah, blah, blah.' But here we are on our sixth full-length studio album and we debut at No. 16. It's obvious we're not going anywhere.
All our old record reviews were like, 'Oh, these skate punk kids, blah, blah, blah.' And I don't skate, and we're not skate punks.
I remember when in the early days of rock'n'roll, when everything sounded totally different, all amazing and blah blah blah blah blah. Now you can play me one second of any record from that time, and I'll say "1959" or "1961." I can hear precisely. It's like it has a huge date stamp on it.
My whole freshman year at Duke, it was drilled into me that nothing was given to you, and you have to earn it, and this is a dog-eat-dog world, and blah blah blah, and blah blah blah. And you buy into it, 100 percent. You end up loving it. That's the way it should be, right?
In terms of content, a lot of rap is crap, with all the sexism and homophobic bullshit. It's incredible how rappers are always preaching nonconformity - you know, "I'm just gonna go my own way and be my own man and blah blah blah" - but they're the first ones to do so many things that they have to do. They have to do that hip-hop thing, a certain way of walking, and it's so conformist.
When you are in a team sometimes you hear 'Blah, blah, blah' complaining all the time about small things.
A very sad moment for me was when my parents separated - a lot of crying, 'It's tragic, we're now a broken family, blah blah blah blah blah' - although my psychological problems stopped. I actually felt healthier.
I just don't think I'm that interesting. I don't think what I have to say is that interesting. To hear me go blah, blah, blah, blah, blah. I mean, who... cares?
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
As a kid growing up, I didn't want to tell any of my classmates I did figure-skating because I knew they'd be like, 'Oh, you're a skater, you're gay, blah blah blah.' So I kept it to myself. Once I started getting to more of an elite level, I didn't really care what people thought, though.