A Quote by M.I.A.

I hate the idea of street art. With music, I just needed my brain and my voice, which didn't cost anything. — © M.I.A.
I hate the idea of street art. With music, I just needed my brain and my voice, which didn't cost anything.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
I hate labels because it should be just music. I don't see anything wrong with disco. Call it anything. It's music.
Throughout my entire life, I constantly tried to fight normality. I hate it. I hate the idea of it. I hate routine. I hate anything that feels remotely regular or right.
More and more, I realise I have a distinct voice, which I didn't realise! You know, it's just my voice. I had no idea. A lot of times, people will say now, 'I recognised you from your voice,' which is interesting to me.
I hate this idea in the Cinematheque that you must watch silent movies with no music, like it's a piece of art. It's not true.
Biology is greener and, at scale, should be incredibly cost-effective: The cost of goods sold should be little more than the sugar water needed to brew almost anything.
Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
I think TV promulgates the idea that good art is just art which makes people like and depend on the vehicle that brings them the art.
I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.
Education isn't just about feeding the brain. Art and music feed the heart and soul.
It scares me that people are going to stop writing music. I don't mean music that has to be physically written down, but they'll stop using their brain which is without a doubt the most powerful tool that you could have in any art.
I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
Music is the art... which most completely realizes the artistic idea and is the condition to which all the other arts are constantly aspiring.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
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