A Quote by M.I.A.

What really drives me mad about art is that, in America, the only thing you can do is to take it apart. — © M.I.A.
What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
The art of cartooning is vulgarity. The only reason for cartooning to exist is to be on the edge. If you only take apart what they allow you to take apart, you're Disney. Cartooning is a low-class, for-the-public art, just like graffiti art and rap music. Vulgar but believable, that's the line I kept walking.
Money drives the world, but when everything falls apart to leave the underpinnings of our life bare to the scrutiny of critics and thieves, the only thing remaining, the only thing that can't be taken away, is the love you hold for the people you care about.
People don't really talk about falling in love anymore. And yet falling in love is the great engine that drives all the best art - or falling out of love or being heartbroken - drives all the best books, drives all the best music, and yet we've sort of stopped talking about it.
Why I talk so seriously about art is that art is the only thing that helps people stay alive, and it is the only thing that has allowed people to create joy in this insane, suppressive universe. And art is the only thing that they can't get rid of. They've tried, but ultimately they can't stamp it out.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.
It's not about composition. It's the way you feel about how your objects should relate to each other. I've got lots of African statues and things, and the cleaner arranges them like soldiers, which drives me mad. So I have to rearrange them, and I must drive her mad, because I'm doing anarchy and she's doing military manoeuvres.
For one thing, I don't think art needs to be about suffering; sometimes it really seems like it's only the art about pain that is interpreted as profound, and in my work for years I've really tried to deal with subjects that are substantial, not just fluffy, but presented in a more playful, approachable kind of way.
What people do who go into politics I can't think; it drives me almost mad to see mismanagement over only a few hundred acres.
The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved.
My basic political philosophy is, I ain't mad at that. Which basically means I don't have to have a strong opinion about everything. I'm too tired most of the time. Why do I have to take a stand on everything? Sometimes I'm just not mad at it. Like, What do you think about gay marriage? I ain't mad at you, you're gay and you're married: I ain't mad at you, go do it.
I think about art a lot only in two contexts. One is narrative... The other thing that I'm interested in, which is tangential, but not unrelated... All art to me is about problem solving.
The demons you have are what motivate you to make your art. This is what drives the detective, this is what drives the painter, this is what drives the writer: a conflicting urge to forget pain and at the same time remember it and fight for some kind of justice. I know these powerful things are inside of me and everyone in some way or another.
Everything about acting drives me and gives me the need to really try it. It's an evolution - doing the same thing for 12 years is kind of a chunk. Anyone would be up for a little bit of a change. It is so rewarding to do a movie, and so enjoyable. It's hard work, but really wonderful.
The only thing I really feel is necessary is that the black people, not only in Mississippi, will have to actually upset this applecart. What I mean by that is, so many things are under the cover that will have to be swept out and shown to this whole world, not just to America. This thing they say of "the land of the free and the home of the brave" is all on paper. It doesn't really mean anything to us. The only way we can make this thing a reality in America is to do all we can to destroy this system and bring this out to the light that has been under the cover all these years.
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