A Quote by M.I.A.

The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
Versace! Versace! Versace! Versace! Versace! Versace! We love Versace. Versace is the greatest designer of all time!
Versace designs have always been bootlegged. Now it's Versace bootlegging the bootleg for the bootleggers to bootleg the bootleg.
Versace has always been a brand that I've loved, a brand that has supported me. I've been wearing Versace for so long, I come in here and I have friends here, and they really support what it is that I do. Our partnership has been great.
Copies have been dethroned; the economic model built on them is collapsing. In a regime of superabundant free copies, copies are no longer the basis of wealth. Now relationships, links, connections, and sharing are. Value has shifted away from a copy toward the many ways to recall, annotate, personalize, edit, authenticate, display, mark, transfer, and engage a work. Art is a conversation, not a patent office. The citation of sources belongs to the realms of journalism and scholarship, not art. Reality can’t be copyrighted.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said. Yet all must copy copies, all increase their kind.
At our theaters we only see feeble copies of the copies that have proceeded them, renounce that slavish routine which keeps your art in its infancy; examine everything relative to the development of talents; be original; form a style for yourselves based on your private studies; if you must copy, imitate nature, it is a noble model and never misleads those who follow it.
All my movies are copies of Hollywood, some of them pretty trashy copies. All filmmakers copy from Hollywood.
Ever heard of anyone executed for distributing copies of Grimm's fairy tales? Imagine people trying to smuggle copies of Hans Christian Andersen's works into China? The Bible, which has been called a mere collection of myths has suffered all of these fates: even today, copies of the Bible are banned and burned. There's something about this ancient book that threatens and frightens those in power.
Many young people don't know what Versace represent. I want to show what makes Versace an iconic brand.
Obviously, there are those in the industry who don't give romance novels the level of respect the sales would warrant. They'll talk about a book that sells maybe 100,000 copies, that happens to be very literary, whereas something like 'Crossfire' will sell 13 million copies in a single language and hardly get any mentions at all.
Copyright law has got to give up its obsession with 'the copy.' The law should not regulate 'copies' or 'modern reproductions' on their own. It should instead regulate uses--like public distributions of copies of copyrighted work--that connect directly to the economic incentive copyright law was intended to foster.
What I very much admire about the Versace maison, and what I am still trying to learn to do myself as I am still young, is that from day one until today, Versace is the peak of sexy but never crosses that red line into the vulgar.
The masses are only to be regarded as one of three things: either as copies of great personalities, bad copies, clumsily produced in a poor material, or as foils to the great, or finally as their tools
My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.
We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'
Make copies, young man, many copies. You can only become a good artist by copying the masters.
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