A Quote by M.I.A.

It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap. — © M.I.A.
It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
I think rap music is rap music. I mean, are there heavy writing aspects of it? Absolutely. In a sense, is it poetry? Yeah. I've heard that so much, growing up in a house with poetry. But I think people like to use that as a shortcut for who's good and who's not. It's like the word 'lyrical' - 'lyrical' is the worst word in the entire world.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
All great movements are popular movements. They are the volcanic eruptions of human passions and emotions, stirred into activity by the ruthless Goddess of Distress or by the torch of the spoken word cast into the midst of the people.
There was something about stand-up that music wouldn't give me, which was my love of the spoken word and the mercurial tendency of language to respond to what happens to you.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
I've been known to drop a spoken-word bit into a song from time to time. But not straight-up rap. I don't know that I have that gift.
I work because I love it. It's a projection of myself. It allows me to express my enthusiasm for music and film using the spoken word, which I love, and broadcasting, a medium which has always fascinated me. I'm very lucky.
Music and text have several commonalities, and one is meter and rhythm. Both spoken word and music have certain regularities, and they can be sub-divided rhythmically.
Our spoken word first hammers a thing desired into shape. Our continued spoken word brings this shaped substance forth and clothes it with a visible body.
The spoken word is never really effective unless it is backed up by a life, but it is also true that the living deed is never adequate without the support the spoken word can provide.
There is an intelligence factor that works with the spoken word. With words, you have to understand meaning and nuances and things like that. You have to be able to relate...but with music it's just music.
People are entirely too disbelieving of coincidence. They are far too ready to dismiss it and to build arcane structures of extremely rickety substance in order to avoid it. I, on the other hand, see coincidence everywhere as an inevitable consequence of the laws of probability, according to which having no unusual coincidence is far more unusual than any coincidence could possibly be.
We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.
Rap and spoken word have reawakened the country to poetry in itself. Texting and Twitter encourage creative uses of casual language, in ways I have celebrated widely. But we've fallen behind on savoring the formal layer of our language.
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