A Quote by M.I.A.

I don't intentionally go: 'Ooh, what is provocative,' and try to do that. I just do stuff, and people go: 'Ooh, that's provocative.' — © M.I.A.
I don't intentionally go: 'Ooh, what is provocative,' and try to do that. I just do stuff, and people go: 'Ooh, that's provocative.'
It is frequently said that speech that is intentionally provocative and therefore invites physical retaliation can be punished or suppressed. Yet, plainly no such general proposition can be sustained. Quite the contrary.... The provocative nature of the communication does not make it any the less expression. Indeed, the whole theory of free expression contemplates that expression will in many circumstances be provocative and arouse hostility. The audience, just as the speaker, has an obligation to maintain physical restraint.
I'm not like Woody Allen like, "Oh my god what's going to happen? Ooh Ooh Oohhh." I'm just high-strung. So I do need to do a lot of stuff.
Woody Weatherman showed me two beats, the "do do dat, do do dat" rock beat and the "ooh at ooh at ooh at" punk beat and other than that I was pretty limited. I had just gotten a drum kit for Christmas, which I was stoked about so I was ready to go. Back then, the prerequisite for playing punk rock drums wasn't very high, it was really pretty generic as I'm sure you can imagine.
I'm as strong, strong as I can be, but ooh ooh ooh, baby you leave me weak.
Personally, I try to be provocative but not needlessly provocative in my work.
After 120 kilometers my body said, ‘ooh, ooh Jens! What were you thinking?’
Just finding ways to be not provocative for provocative's sake, but to show an idea that hasn't been shown before, I mean that's interesting to me.
I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
Ooh, ah, ooh, ah, that's the sound of the men working on the chain gang.
I don't like to be provocative for the sake of being provocative.
The reason I could last for that long a period of being up was because the piece accidentally caught the excitement and adrenaline from, "Ooh this sounds different from usual... Ooh I like that..." That was the energy that kept me up.
It's not success that makes a person's life worthy of legend. It's provocative defeat, someone who struggled mightily and lost. And that loss can't just be gratuitous - there has to be something about his or her character that whittles that loss into something provocative.
Boom, boom, boom, Even brighter than the moon, moon, moon, It's always been inside of you, you, you And now it's time to let it through, ooh, ooh. Cause, baby, you're a firework Come on, show 'em what you're worth Make 'em go, "Oh! Oh! Oh!" As you shoot across the sky-y-y. Baby, you're a firework Come on, let your colors burst Make 'em go, "Oh! Oh! Oh!" You're gonna leave 'em fallin' down-own-own.
In Wales it's brilliant. I go to the pub and see everybody who I went to school with. And everybody goes 'So what you doing now?' And I go, 'Oh, I'm doing a film with Antonio Banderas and Anthony Hopkins.' And they go, 'Ooh, good.' And that's it.
It's a lot harder to get people to 'ooh' and 'aah' over beets and carrots than it is to get them to 'ooh' and 'aah' over artichokes or asparagus, and I enjoy being able to take these humble, 'lowbrow' foodstuffs up a few notches and serve them with great exuberance.
Being a host or a guest or a pundit, you really want to say something that's interesting and potentially provocative, that's going to stick with people. The last thing you want to say when you're a politician is something provocative.
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