A Quote by Mia Bloom
I did a study of soldiers returning from Iraq, and their levels of PTSD were much higher if they had had to shoot a woman or child, even if they knew the person was a suicide bomber.
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I am also deeply concerned with the widespread, often undiagnosed, incidents of PTSD and the alarming suicide rates amongst our returning soldiers.
The only moral question with suicide bombing is who the target is. And in that sense, the suicide bomber is no different from the stealth bomber or the cruise missile. If it is targeted at civilian people, then it is morally wrong, whether done by Bush, Blair, or a suicide bomber.
Trauma is not the sole province of victims. If that were true, soldiers returning from Afghanistan wouldn't suffer from PTSD.
One group of people that get a lot of PTSD are soldiers who have been in combat. You know who gets more PTSD, has higher rates of PTSD? Women who have escaped prostitution. That tells me that the war that men wage against women is actually worse than the wars they wage against each other.
Storytelling is very important. It is through context and relations that we understand the importance of human dignity. The concept means nothing as an abstraction. It's important for us to understand why people do the things they do, including the monsters - the suicide bomber and the war criminal. Understanding is not acceptance. Understanding is exploring the human psyche. If we want to put an end to violence, we need to have the sort of conversation I had with the teenage suicide bomber.
I started to study, because I knew I had to learn a lot about myself as an actor; you can't act the same as you did as a child.
One of the lessons learned during the Vietnam War was that the depiction of wounded soldiers, of coffins stacked higher than their living guards, had a negative effect on the viewing public. The military in Iraq specifically banned the photographing of wounded soldiers and coffins, thus sanitizing this terrible and bloody conflict.
The reprisal against the suicide bomber does not bring peace. There is a suicide bomber, a reprisal and then a counter-reprisal. And it just goes on and on.
I had experience with PTSD myself; probably that's why I felt so close to the soldiers and the testimony. Also, because I had experienced this myself, I wanted to make a really physical and carnal film.
Was it the act of giving birth that made you a mother? Did you lose that label when you relinquished your child? If people were measured by their deeds, on the one hand, I had a woman who had chosen to give me up; on the other, I had a woman who'd sat up with me at night when I was sick as a child, who'd cried with me over boyfriends, who'd clapped fiercely at my law school graduation. Which acts made you more of a mother? Both, I realized. Being a parent wasn't just about bearing a child. It was about bearing witness to its life.
I had 16 other prisons that I needed to pay attention to, and we did. And I had 3,400 soldiers who were depending on me to take care of them, and I did.
I have had to experience so much stupidity, so many vices, so much error, so much nausea, disillusionment and sorrow, just in order to become a child again and begin anew. I had to experience despair, I had to sink to the greatest mental depths, to thoughts of suicide, in order to experience grace.
Being a woman did not look enviable to me, even when it looked admirable. It looked like nonstop sacrifice and service. Because it was. Being a woman seemed vulnerable and sad. Even the strong women I knew - and they were all strong - had earned their strength through enduring huge disappointments and tremendous struggles.
I didn't care about that because I'm not a diplomatic person to begin with. I just went along with things and did what I wanted to do because I knew they had to shoot their 12 pages a day. And when they realized that I didn't alter the text they really didn't mind what I did.
I found that people had all kinds of levels of consciousness, all kinds of levels of education, but that Cubans in general were very educated politically. I could go sit in a bus and get into a conversation with someone and that person had a wealth of knowledge. And energy!
Brian Turner writes as only a soldier can, of terror and compassion, hurt and horror, sympathy and desire. He takes us into the truth and trauma of the Iraq war in language that is precise, delicate and beautiful, even as it tells of a suicide bomber, a skull shattered by a bullet, a blade in a bloodgroove.
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