A Quote by Mia Goth

Modelling is very two-dimensional. You really don't have to bare anything. — © Mia Goth
Modelling is very two-dimensional. You really don't have to bare anything.
Film is a two dimensional thing - it goes up and down and left to right but if you put that music into that two dimensional medium, it became like a third, fourth, and fifth dimension, I really believe in that.
Carbon has this genius of making a chemically stable, two-dimensional, one-atom-thick membrane in a three-dimensional world. And that, I believe, is going to be very important in the future of chemistry and technology in general.
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
Modelling was never a career option for me; it was always a hobby. I was modelling while I was pursuing my B.Tech, so the obvious choice after finishing my studies was to do a job. But while I was modelling and doing TV commercials, I really loved being in front of the camera. I enjoyed the shooting process.
I don't want to be a leader that is one-dimensional or two-dimensional because he's not willing to be open.
Painting does what we cannot do - it brings a three-dimensional world into a two-dimensional plane.
Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane.
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form.
Just like we don't live in a two-dimensional world, we don't live two-dimensional lives.
But, for all that, they had a very pleasant walk. The trees were bare of leaves, and the river was bare of water-lilies; but the sky was not bare of its beautiful blue, and the water reflected it, and a delicious wind ran with the stream, touching the surface crisply.
I never really thought about modelling. It wasn't something I ever wanted to do. I used to always be so angry about modelling.
I am thrilled to be modelling the debut collection of Always Aliza. Janet Reger was such an iconic brand throughout my modelling career, and it feels great to now be modelling her daughter's range for JD Williams almost forty years on.
We're quite into graphics that are simultaneously two- and three-dimensional. But I can't really elaborate any further because it's not something - we haven't really perfected it.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
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