A Quote by Mia Goth

I'm drawn to roles where someone has to struggle or fight. — © Mia Goth
I'm drawn to roles where someone has to struggle or fight.
But no, I don't think I'm particularly drawn to the period roles or the medieval roles.
When you look at the roles I've done and the roles coming up, they're all strong. I guess I'm more drawn to that than that kind of submissive role females can be categorised as.
As an internationalist, I feel that it is simply my duty to fight for Borneo, as it is my duty to fight for Afghanistan or for Venezuela. If someone is ready to support my work and my struggle, I'll be grateful. If no one will, I'll do it on my own, somehow! Attempts to destroy our planet do not wait. Why should I?
I'm in the UFC; this is a sport about fighting. If someone wants to fight me, or someone wants to fight someone else... you're here to fight each other, so I get it.
It was natural to see the struggle for dignity for black people in America as a sister struggle of the Jewish struggle. So growing up, it was always a part of my breakfast cereal to think of myself as someone who was part of a larger struggle.
I look for struggle in the roles I choose - struggle and perseverance.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I'm really drawn to chameleons; I'm really drawn to people who can play a wide range of roles, who are really versatile, but are so in a way that's with ease.
I struggle with insecurities. I struggle with forgiveness. I struggle with letting someone go that did me dirty without vengeance, which is an evil thing.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
This is the very heart of true morality--not to struggle, not to fight with any weapons, for one's self alone--but to struggle and to fight for the common interest, to wield the power of brain and good right arm if need be for one's family, for the ordered community of life, for the state, for moral principles, humanity, and the common good.
I've had to fight for roles and I've lost a hundred roles, but 'Smoking' and 'Smith' were phone calls. That's the dream.
Ninety percent of my roles, I've had to fight for. It's only a really small percentage of people who get handed roles.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.
If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
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